A maisonette conversion over two floors within a large, terraced mid-Victorian house in west London. On the lower flooris a living room with a dining area, plus a kitchen, pantry and cloakroom. The upper floor has a master bedroom with en-suite shower room and dressing room, plus a guest bedroom and bathroom.
Emma Oldham’s passion for elegant, understated style is evident from the moment you step into her restored period home. From the hall, a sweep of chic pink stair carpet takes your eye upwards, while straight ahead the living room is a celebration of unusual art, modern and mid-20th century furniture and sophisticated colour.
With its four-metre high living room ceiling and oak parquet flooring, the apartment looks true to its Victorian roots. But when Emma bought it three years ago, it was an ugly, boxy 1980s conversion, totally lacking features apart from, oddly, a Gothic-style staircase.
Seeing its potential, Emma wasn’t put off. She removed the false ceiling and swapped the banister for a traditional style, then reinstated the original mouldings, skirtings and window shutters in the living room and sourced the flooring.
Emma, who studied fashion and later switched to interior design, applied herdesign ethos – ‘personal, eclectic homes, fusing style with a speedy approach’.
Within nine months the property was gutted, reconfigured and fitted (notwithstanding a four-month wait for listed building consent). The lower-floor footprint of living room, kitchen and cloakroom was retained, but two sets of double doors leading off the hall were made taller to echo the height of the living room.
The gold-leaf and lacquer picture was a present from Emma's mother and the pastel portrait was painted by her nine-year-old niece. By the fireplace, chunky velvet seating creates a ‘party vibe’ and Emma designed thetall mirror on the mantelpiece (above).
Emma loves entertaining so this generously sized table sees a lot of use. ‘The living room is so big, I zoned it using large pieces,’ she says. The high ceiling is balanced with a monochrome abstract, from Lots Road Auctions.
The 4.3m-high ceiling called for proportional features, so Emma designed this statement brass cooker hood, while the dramatic contemporary pendant light draws the eye up to the glorious decorative mouldings.
In the kitchen, Emma didn’t want a one-size-fits-all design. She spent ages considering how she likes to cook, as she is a true believer that a home must look beautiful but work effectively, too.
The bronze cooker hood was made to order by a metal- worker and the cabinet carcasses are from a German company.
Upstairs the wall between the master bedroom and bathroom was demolished to create a large bedroom with bath in situ, plus a walk-through wardrobe/vanity area and shower room behind a stud wall.
While the structural alterations are stunning, the fittings and furnishings really steal the show. Having worked as a magazine interiors stylist, Emma has a sharp eye for colour and pattern and is a wizard at finding unusual suppliers. Ask for any detail and the answer is instant, as if her little black book is perpetually open.
Emma opted to place the bath in the bedroom framed by elegant panelling, with an en-suite shower room tucked beyond the new stud wall. The soft pink colourway is a good counterbalance to the simple, functional aspects of the room.
Photography / Davide Lovatti
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