Sophie Heawood is a journalist and author, who writes regularly for The Guardian, Evening Standard and The Observer. She lives in London, and also contributes to titles such as Red. Her book, The Hungover Games, was published in 2020. As well as being brilliant on her own instagram, she runs the left field interiors instagram account @propertyjazz
Latest articles by Sophie Heawood
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On the House: Sophie Heawood's Property Binge. This week, houses to throw brilliant parties in
Sophie Heawood imagines the parties that could be had in the most hedonistic houses for sale right now
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On the House: Sophie Heawood's Property Binge. This week, quirky houses for quirky people
Who lives in a house like this? Sophie Heawood can only boggle at these quirky homes for sale
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On the House: Sophie Heawood's Property Binge: This week, houses with Grandeur on a budget
This week Sophie Heawood unearths hidden homes with delightful delusions of grandeur
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On the House: Sophie Heawood's Property Binge: This week, houses on the river
Sophie Heawood ponders life by the water, featuring Reese Witherspoon and some scones
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On the House: Sophie Heawood's Property Binge. This week, London's terraced houses
Sophie Heawood imagines the lives being lived in London terraces across the capital, in homes not unlike her own
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On the House: Sophie Heawood's Property Binge. This week, converted homes
In a special one-off bonus Monday edition, Sophie Heawood scopes out houses for sale that used to be, well, something else
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On the House: Sophie Heawood's Property Binge. This week: cosy cottages
Sophie Heawood takes a break from election coverage to surf Rightmove instead, unearthing cottages where nature is key
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On the House: Sophie Heawood's Property Binge. This week, perfect homes for getting away from it all
Sophie Heawood is tired of London, tired of life, yet her trawl through Rightmove's finest remote homes is guaranteed to revive
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On the House: Sophie Heawood's Property Binge. This week, homes for sale owned by famous writers
Writer Sophie Heawood noses round the homes authors used be able to afford before they spent all their time on Twitter
