A house with three storeys and a cellar in Greenwich, Connecticut, built in 1900 and extended by Pennoyer Architects. The cellar has a gym, family room, children’s play space, wine room and storage. The ground floor has a kitchen, sunroom, dining room, living room and library. The first floor has four bedrooms and bathrooms– one of them a master suite with separate dressing room and walk-in closet. There is also an additional guest bedroom and bathroomabove the garage.


In the entrance hall (pictured top),the floor features two types of marble cut into a fractured geometric patten – inspired by a photo of American artist Cy Twombly’s studio.It’s the first thing you see as you enter, so it sets the tone.


This stunningcolonial-style house didn't always look like this. Dark red walls, heavy drapery and an overload of cherry wood – the house was in desperate need of a little TLC. The house was like a tired mum of five kids,who really needed a holiday – she needed to get a tan and a new outfit.

Step in Britt Zunino, co-founder of New York design practice Studio DB, who stripped everything back, painted the walls white and pale grey and sanded down the floorboards.

And what kind of person would the house be now the makeover is complete? It’s still the same mum but refreshed and with renewed confidence. She got a new haircut, an updated wardrobe, maybe a little Botox and she’s back feeling 10 years younger.

Keeping the furnishings and decor minimal in the hall (pictured above) createsa clean transition between the different rooms and storeys of the house.


Being such a big house (8,500sq ft, across three storeys and a cellar), it was important to create visual connections between the rooms, so Britt repeated materials, colours and textures throughout. Brass, for example, is used for taps, tables and mirrors across the whole home and pink is repeated in the dining room, powder room and living room.

You can look from room to room and see continuity, but every space still feels different. The elements are used in different ways, so the repetition feels subtle.

Britt used rounded furniture and accessories to echo the curves of the living room. The sinuous pieces of mid-century designer Vladimir Kagan inspired the design of the bespoke sofa.


Slightly arched chairs and a show-stopping spherical chandelier offset the formality of the room.


The library is a great example of Britt’s approach to colour and material– sophisticated but indulgent, the panelling covers the entire walls and ceiling. It offers a fresh take on a traditionally masculine space.

Hints of brass and shades of muted teal draw together the different components of the space and are echoed in the adjacent living room.


And while the materials and colours are restrained, the way Britt has used them is anything but shy. Marble covers the entire walls (and even the extractor hood) in the kitchen, and glossy teal paint envelops the library from wall to ceiling. As a result, the house feels luxurious – but not flashy. The details are in unexpected touches, like anasymmetrical brass light in the entrance hall, or a pair of welcoming rattan chairs next to the fireplace.


Leading directly off the kitchen, the sunroom is one of the most frequently used spaces in the home.

With small children and a dog living in this house, surfaces needed to be durable as well as beautiful, so Britt used easy-clean materials throughout, such as wool and jute rugs and outdoor fabric to cover the sofa in the living room and the banquette in the sunroom.


A multi-tiered light that transcends all three floors adds drama, while the simple design and monochrome scheme has a sophisticated, elegant effect.


The bathrooms in this house are a little more playful. The style is bold, but it’s tempered by the more neutral and sophisticated spaces in the home. The colours can all be seen throughout the rest of the house: the pink is repeated in the dining room, the teal reappears in the library and marble is used in the entrance hall and kitchen.


Small, more colourful rooms add personality and surprise to the otherwise neutral interior. Here, the feminine pink patterned wallpaper is offset bya more masculine stone washbasin.


This room has a distinctly more relaxed feel to it than the rest of the house. In a big property like this, it’s important to make each roomfeel slightly different, to give it its own identity.


Minimal building work was needed for the renovation, save for the large master bathroom, which was converted from a bedroom. Britt had to restructure the floor so that all the tiles could be flush.That was one of the most challenging parts of the renovation, because it’s anold house, so it was hard to insert clean lines.

See more of Studio DB’s projects at

Photography ⁄ Matthew Williams