A four-storey townhouse in west London. The ground floor has a lobby, dining room and open-plan kitchen/living area. Upstairs there’s a study and living room, with the master suite, dressing room and gym on the top floor. The lower-ground floor has two guest suites, a WC and a utility room.
A mischievous sense of humour has been given free rein in this expansive west London property.Step over the threshold of this formal redbrick and you enter a world of playful contrasts. A world where art becomes animated and model installations whirr and tinkle.
All internal doors in this property have been removed, offeringtantalising glimpses of the next space and creatingan unfettered sightline through the ground floor – a view peppered with thought-provoking objets and art.
One unifying element throughout is the salvaged Versailles parquet flooring, shipped over from Paris to be reassembled, a bit like a big jigsaw, complete with original wooden peg nails.
Contrasting styles intersect in the hall and a playful artwork greets visitors. At first glance, the artwork in the lobby looks like an old painting that’s been given a serious hammering. Is someone taking ‘vintage find’ to a new extreme?Perched on the side of the deliberately deconstructed painting is a tiny sculpted woodpecker, the “culprit” behind the artistic destruction. This home is full of little jokes like that.
Seventies disco diva meets Louis XV in a storm of pattern above the fireplace (pictured in the first image). The artist behind the painting likes to use patterned backgrounds in her collages, so the wallpaper was chosen to display the piece in the same spirit.
Surfaces have also been arranged so that they contrast, intersect and spark off each other, creating a dynamism that spills into each space. Even some of the furniture, as created by Maarten Baas, is moulded in wobbly, unpredictable shapes – like the oversized floor lamp, pictured below. Baas’s designs appeal to this property's sensual side – and sense of humour.Their texture is like chewing gum – like something you find stuck under a school desk.
A video installation (pictured above) evokes LA in the Eighties.Videos play, music tinkles and fog can billow from underneath – it’s likea jukebox. It just carries on playing inits own little world while you chat.
Meawhile, the typically French flooring sets a motif for the house, and even zips up the alcove walls in the living room.
The living area overlooks the garden at the back of the building and is filled with sunlight and pops of colour.
An animated video artwork (pictured below), The Night of Perpetual Day, hangs over the sofa. It’s a rework of ancient Chinese landscapes – you can peer at it and see a different tiny event unfolding each time.
A portrait of Philip Glass takes over the wall next to it.
In the kitchen, the scheme is a professional run of stainless steel, but its no-nonsense approach gets a twist with some oversized toy figures and a playful light.
The pendant is both delicate and decorative combined with harder contemporary lines.
The Versaillesparquet floors pattern is subtly echoedin a wall of mirrors sliced into diamonds and reflected in shiny tin ceiling tiles in the dining room.
The space is a nod to the opulence of Paris, but in an English setting.
Diamonds are forever, with the sliding door and ceiling – both also taking their cue from the Versailles parquet. The antique wall panel was found in the Marché aux Puces de Saint-Ouen in Paris, but this context makes it feel more modernand interesting.
The bespoke library shelving is tongue-in-cheek. The detailing starts plain on the left, then picks up decoration as it wraps around, like a story that gathers momentum.
On the top floor, there's one bare brick wall and roof rafters exposed, as a reminder of this chapter in its (property) transformation.The roughness of the exposed brick is highlighted by the decorative wallpaper.
Design / Olivier Gay
Photography ⁄ Frenchie Cristogatin