Tap into your inner artist witha fabulous wall mural. ‘Take your inspiration from a favourite design in the room – it couldbe a print, ornament or cushion (opens in new tab)– and use the colour picking tool in the free Dulux Visualizer app, which lets you see colours on the wall and explore shades in your motif,’ says Dulux creative director Marianne Shillingford. ‘For a striking geometric design, all you need is masking tapeand a small foam roller.’
Splitting a wall with two tones looks modern and sharp. ‘A light hue above a darker one makes a room seem larger,’ says Charlotte Crosby, head of creative at Farrow & Ball. A dado or picture rail makes a good divider, but where you draw the line will depend on the room’s features and where the light falls.
Dark and moody
If it’s maximum drama you’re after, it pays to be brave. Using a single colour for your entire scheme, ceiling and all, will pack a punch and instantly enhance the mood. ‘For a sumptuous effect, choose a rich, deep shade to envelop the room in saturated hue,’ says Peter Gomez, head of design at Zoffany.
Dark tones such as emerald green, inky grey or midnight blue willalso create a warm, cocooning feel. ‘For extra impact, carry the colour through to soft furnishings with plush textures such as velvets,’ Peter adds. You could also add an accent colour as a streak of contrast on woodwork or architectural details for definition.
For a standout scheme, a gloss or lacquered wall creates an alluring shine. ‘When we do lacquered finishes, we tend to go for jewel tones and darker shades as they feel so rich and enticing,’ says interior designer Lucy Barlow (opens in new tab) of Barlow & Barlow.
‘A gloss finish is ideal for smaller rooms, such as a cloakroom, or spaces usedfor entertaining at night, as it will bounce the light around beautifully – especially when you do the ceiling as well. If your budget won’t stretch to lacquering, you can use gloss paint on woodwork such as skirting, doors or cabinets for a similar effect,’ Lucy adds.
See moreStatement Ceilings. (opens in new tab)
In the zone
Colour is a great way to break up open-plan spaces and create zones that mark the difference between where you cook, say, and where you relax. Choose shades that work with the function of each area and the ambience you want to create there.
‘Instead of painting the whole wall, which slips into feature wall territory, I thinkit works really well when you take the paint over woodwork and up onto the ceiling, almost creating a cube shape in the corner of a room,’ says interior designer Sophie Robinson. ‘Also, creating a frame around a feature such as a collectionof artwork or library nook (opens in new tab) isa striking way to set it apart.’
Highlight elements of your schemes you might otherwise overlook – window frames or shelves just need a splashof colour to stand out. ‘Don’t be afraid to experiment –look for the least obvioustone in accessories, fabrics or wallpaper (opens in new tab) and choose paint in a similar hue for your accent,’ says David Mottershead, managing director of Little Greene.
‘Using contrasting or even clashing colours is very powerful, but harmonising shades in the same tone can be equally effective – it’s really a question of personal taste. Remember to sample colours first, though – that’s one ofthe most important rules of decorating,’ David adds.
‘Colour can have a big influence on how we feel,’ says Judy Smith, Crown colour consultant. ‘As a guide, warm tones such as red and yellow are stimulating, while cool colours such as blue and green tend to be more restful. This differs from person to person, so if bright yellow in a bedroom makes you feel rested, go for it.’
See these decorating tips from Farrow & Ball's colour expert. (opens in new tab)
Shining a spotlight on the now and the next in home design and decor, Livingetc is the UK's best selling high end and contemporary home design magazine. As a brand, Livingetc showcases the world's very best homes, breaks and makes the trends, and has access to leading international designers for insight and ideas. It was first published in 1998, and is currently edited by Pip Rich.
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