Your Questions, Answered by an Interior Designer — Two Tone Cabinets, Hallway Colors, and the Perfect Pink Paint
Ellen Cumber, co-founder of Golden Design, is known for her spirited schemes and uplifting use of color. So we posed her the questions you ask us most


Q: Kitchen cabinets in two colors seems like a more modern approach, but how do I pick two colors that work together, and how do I decide which shade goes on the top and which on the bottom?
Lower cabinets painted in Studio Green, Farrow and Ball. Upper cabinets painted in Cinnamon, Edward Bulmer
"We have cabinets in two colors all the time. Very often, there is so much cabinetry in the kitchen that if you keep it one shade, it ends up being an overwhelmingly large block of a single color, and without much other furniture in the room, it has nothing to break it up. Having two hues is an easy way to make the cupboards feel more bespoke (it’s worth remembering that the timber itself also counts as a color, and you might decide to only paint half the cabinets and keep the others as natural wood).
The rule I always follow is to put a lighter color on the wall cabinets and the darker color on the floor-level ones. This means that the darker shade grounds the space while the paler one, which is more directly in your sightline, recedes a little.
To pick the right kitchen colors, we usually start with the marble or countertop material. There are so many different pigments in a single slab of marble, and when you look at it up close, you can find something in it that would work on the cabinetry, perhaps a hint of green or ochre or pink… it could be anything, really.
And then make sure that both colors you choose have the same tone. Perhaps both are earthy, or both are punchy. Even when paint choices are different, they should feel like siblings in some way, and that depth of hue in them is the way to ensure they’re connected."
Q: What do I need to consider about picking a hallway color to drench the space in, using it all over? I don't want to go dark, but surely a light color isn't practical for the floor?
Color drenching to the extreme. Walls painted in Ming Gold, Sanderson.
"We did a hallway recently that our client said she really wanted to glow. She is our bravest client and pushed our boundaries, so it was exciting to collaborate on. Her brief was for it to feel like she was stepping into a cocoon of heavenly light the moment she got home, and we ended up using Ming Gold, a sunny yet slightly muted yellow from Sanderson.
The thing to remember about entryway colors is that, because the walls are very close together, colors used in them will always feel more intense than when you put them in a larger space — it will seem more saturated than it actually is, so do go for mid-shades rather than super-bold.
Is the matching yellow carpet we added practical for a hallway, I hear you ask? Well, their main entrance is on the lower ground floor, and this one is more for guests. We also added a vast recessed door mat that you can’t see in the photograph, so there is scope for wiping feet. Anyone wishing to emulate this for a hallway they use more often should probably look for beautiful tiles in a matching shade, which they’d find to be more hardwearing."

Ellen Cumber and Alice Bettington are co-founders of London-based studio Golden Design. Their projects use color with flair, but sophistication, offering a refined and elegant feel with a sense of joy.
Q: What's the perfect pink paint, and how do I use it?
The ‘perfect’ pink, if you’re willing to be bold. Walls and ceiling painted in Templeton Pink, Farrow and Ball
The perfect pink paint color has a yellow base, which gives it warmth. Farrow and Ball’s Setting Plaster is so popular, as it goes quite fleshy. We’re moving towards a more subtle way of using it, just on ceilings, with a more muted, yellow-beige on the walls. It’s very glowy, and the pink ceiling makes the whole room feel warm. A way to make a statement without the pink dominating the room.
We also love Farrow and Ball’s Templeton Pink, which is bright and intense, but without being too bubblegum or sweet. We covered a whole reception room in it, but that only really worked because the space was so large. For a more regular-sized room we’d probably have gone with Setting Plaster, which is more knocked-back. Our favourite neutral with a hint of pink is Dimity, also by Farrow and Ball. I have it on my own kitchen walls and it can look almost white, then in some lights the pink just manages to shine through.
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Ellen is deputy editor of Livingetc magazine. She works with our fabulous art and production teams to publish the monthly print title, which features the most inspiring homes around the globe, interviews with leading designers, reporting on the hottest trends, and shopping edits of the best new pieces to refresh your space. Before Livingetc she was deputy editor at Real Homes, and has also written for titles including Homes & Gardens and Gardeningetc. Being surrounded by so much inspiration makes it tricky to decide what to do first in her own flat – a pretty nice problem to have, really. In her spare time, Ellen can be found pottering around in her balcony garden, reading her way through her overstacked bookshelf or planning her next holiday.