Curated Finds for Jane | Vintage Pine Dresser
Hi Jane,
You’ve got such an interesting mix of old and new in the kitchen, so I’ve approached the dresser in the same way. With the 17th-century house, Georgian sash windows and original character on one side, and the black Crittall doors and screen bringing in a much cleaner architectural line, I think an unpainted dresser is a really natural bridge between the two.
I’ve focused on pieces with plenty of wood character and enough scale to hold their own beneath the vaulted ceiling. I’d also be careful not to go too pale or too “perfect” here. A little age, grain and variation in the wood will stop the dresser feeling too new against the rest of the house.
A couple of the options fall just short of your ideal 2m+ width, but I’ve included them because the overall proportions and material direction felt so right for the space.
Stylist’s note
For your kitchen, I’d probably choose between the second antique pine dresser and the Cotswold Co option depending on how much contrast you want.
The antique dresser gives you more history, warmth and imperfection, which I think would be particularly beautiful in a house of this age. The Cotswold option feels calmer and a little more Scandinavian, so it’s the one I’d choose if the rest of the kitchen already has quite a lot of visual detail. Either way, with those vaulted ceilings, I’d avoid anything that feels too delicate. This is one of those rooms where the dresser can afford to have some real scale and presence.
This is the option I’d look at if you want the most character and sense of age. An early Victorian pine piece has enough history to sit comfortably within an old house, but the simplicity of pine keeps it from becoming overly formal.
I’d let the patina do the work here. Against painted cabinetry and the cleaner black Crittall framework, that worn timber would give the kitchen a much more collected, lived-in feeling rather than making everything feel newly coordinated.

This is probably the strongest choice if you want the dresser to feel as though it has always belonged in the house. The solid pine, visible wear and generous proportions give it real presence, and I like the contrast of something this rustic sitting alongside the sharper black Crittall details.
At 187cm wide and 209cm high, it does fall short of your 2m width preference, but the height should work beautifully with the vaulted ceiling and stop it feeling undersized vertically. It’s also right at the top of your budget at £1,995.
This is the lighter, more Scandinavian direction. The whitewashed oak keeps the grain visible but gives the piece a softer, quieter appearance, which would sit really nicely against a pale oak floor without matching it too literally.
The proportions are substantial and the open shelving gives you plenty of opportunity to style ceramics, glassware or everyday kitchen pieces. It’s 188cm wide rather than 2m+, so again slightly smaller than requested, but at £1,799 it sits neatly within budget. The finish is hand-applied to highlight the natural oak grain.
I included a dresser base because I think there’s a case for not automatically filling the full height of the wall. With vaulted ceilings, a long low piece can actually emphasise the architecture rather than competing with it.
This direction also feels slightly more relaxed and Scandinavian: plenty of useful drawer storage, but with the top left open for lamps, artwork, ceramics or larger serving pieces. I’d especially consider this if you already have plenty of upper cabinetry elsewhere in the kitchen.
The Livingetc newsletters are your inside source for what’s shaping interiors now - and what’s next. Discover trend forecasts, smart style ideas, and curated shopping inspiration that brings design to life. Subscribe today and stay ahead of the curve.
Miaad is an interior stylist at Design Lab by Livingetc, with over eight years of design experience across London and New York. Her career spans interior design consultancy at Restoration Hardware and Design Within Reach, as well as experiential event design at NY agency Rise & Set for brands including Ferrari and Montblanc. Her design ethos centres on how our environments shape the way we live, feel and connect, bringing together story, prioritising function and a more intentional approach to living.