I tend to dip in and out of minimalism. But when I am in the thick of it, I go all out. From my bedscape to de-labelled diffusers, muted cushions, and minimalist candles. If you can't help but love the peaceful ambiance that comes with this design style, then you know how every little detail counts.

So, I've rounded up the best candles that look pared back and evoke a calm atmosphere. Imagine gentle notes of lavender, amber, sage, and jasmine wafting from modest vessels that weave into your home's design story.

If you're shopping for a minimalist with no idea of what to get them or you're indulging in a little retail therapy of your own, these candles won't let you down.

If you love a reserved scent, the new Reena Simon x Beauty Pie candles should be on your radar. And while you're here, subscribe to the Livingetc newsletter for more design news.

There is a new icon in The City That Never Sleeps, and it comes dressed in the colors and textures of this season, rather fittingly. It's Bar Leone, a new two-storey cocktail lounge nestled at 527 Broome Street in SoHo, which sees restaurateur Andres Diaz and Manhattan-based architecture and interior design firm BOND cook up a winning partnership just in time for autumn.

Anyone traveling frequently to NYC knows every visit comes with an assured dose of interior design inspiration, whether sojourning at one of the best hotels New York has to offer or maximizing your chances for creative discoveries by scheduling your trip to coincide with appointments like NYC x Design. Still, if there is one thing that binge-watching all six seasons of Sex and the City in the span of two months taught me about the Big Apple, it is that nothing hits harder than NYC's cocktail bars.

The work of BOND's architects and partners, Noam Dvir and Daniel Rauchwerger, Bar Leone doesn't simply live up to the stereotype, but stands for a new kind of contemporary elegance. We said it during London Design Festival, and we say it again: today, being elegant is more synonymous with attitude than with restraint. And the imaginative pairing of materials, finishes, and moody lighting that brings Bar Leone to life shows just how much you can gain from breaking the rules and choosing to be irreverent.

Inside Bar Leone's Autumn-Coded, Two-Sided Universe

From Golden Hour Lounging

Two years since the start of their collaboration, Diaz and the designers at BOND have finally unveiled 2,400 square feet dedicated to nightlife and entertaining, so really, it's the interiors of Bar Leone that take the cake. Though we predict the SoHo address to be a year-round hit, its September debut makes it impossible not to feel like it's the place to take notes for a seasonal home bar rebrand.

To Italo Disco Dancing

In a recent story on autumnal interior styling ideas, contributing writer Lucy Lindfield wrote on the importance of making evenings the focus, bringing nature inside in unexpected ways, and turning rooms into destinations through deeper, more abundant materials and colors — and, perhaps most importantly, cultivating a sense of ritual through the objects inhabiting the spaces around us.

Bar Leone ticks all the boxes, and does so with confidence. Stick to the elements below to (try to) take its ambiance home.

The 3 Non-Negotiables for an Atmospheric Home Fix

The Mood — Unrushed Nonchalance

The first lesson to make evenings central in your routine as warm weather gives way to the colder months of the year is granting yourself the freedom to feel totally unrushed. Across curvilinear banquettes, upholstered chairs, and statement sofas, the seating at Bar Leone invites you to do just that — pick your drink from a range of creative martinis, caviar pairings, and refreshing Italian-inspired cocktails, choose a seat, and simply tune into conversation and the beats played on the ground level.

The Color — Amber Grace → Red Sunset

Mimicking autumn's color palette is one of the easiest ways to bring the outdoors in as the season approaches. Washed in a golden glow across warm sapele woods and suffused lighting, Bar Leone, though, doesn't limit itself to that. Instead, the choice of materials and finishes picked for its upstairs — from the cocooning corduroy velvet of its seats to the veined red travertine of the bar counter, and the countless matte details that, from the table legs to the sound system and fixtures, counterbalance the sleekness of the chrome taps — winks ever more subtly at the crunchy texture of blushing leaves crushed under our feet and the undulating bark of trees than in in-your-face seasonal decor. Ask me, and I'll confirm: the 1980s-infused look of Bar Leone makes for the ultimate modern living room fix 12 months a year.

The Twist: A Space Age-y Trick

If there's a straightforward way to make evenings a bigger part of your routine, it's to let yourself get lost in music. I might be biased, coming from Italy, but few things are as contagious as the right kind of Italo disco. Bar Leone dedicates its entire lower floor to it, calling for a mood shift. Here, it is red itself that takes center stage, across velvet wallpaper, undulating vinyl banquettes, and a red-lacquer-and-chrome bar station. The vibe is as sensual as it is playful, with multi-doughnut-shaped sconces playing witnesses to the space.

Throughout the venue, which gathers bespoke lighting design by Map Studio and custom lamps produced in collaboration with Gantri alongside stools and tables by Milan-based Spinzi Studio, but especially in its underground den, the aesthetic reminds us of our recently spotted Space Oddity trend: shapes that nod to the architecture of outer space, bold colors, and cinematic lights. Bar Leone succeeds, in a nutshell, in taking us elsewhere, and what better way to fight the autumn blues than convincing ourselves there is still room and time for sheer enjoyment?

Shop Bar Leone-Inspired Furnishings

And for more autumn decor inspiration, discover Arthouse Glasgow, Scotland's latest design boutique hotel.

Keep up to date with all the latest openings, happenings, and trends by subscribing to the Livingetc newsletter.

They say inspiration can come from anywhere. But did I expect to find my Christmas color palette on IKEA's 'new-in' product page? Absolutely not — yet I did. While scrolling through the new collection of paper stars, candle holders, and kitschy-cool ornaments, I suddenly stopped on this set of six glass baubles: navy, peach, yellow, burgundy, red, and a light, bright blue.

"Though slightly unconventional, this color palette works really well for the holiday season as it mimics the colors that we see out our windows and in our home during the winter season," Livingetc's design writer (and expert in color) Olivia Wolfe tells me. "The deep and icy blues are reminiscent of colder, darker skies, while the red and yellow tones provide that much-needed warmth. Plus, blue and orange are complementary colors on the color wheel, so the tones contrast beautifully with one another."

Whether it's for your tree or to be used as a Christmas table color palette, there is something familiarly retro about this combination, yet it also feels particularly now (perhaps that's the light blue and burgundy, or pop of vivid red). Plus, the glossy glass finish feels reminiscent of the high-gloss and lacquered surfaces that are dominating interior design trends right now.

IKEA itself is referring to the palette as 'Happy Carnival', and describes how it offers a playful alternative to a more traditional, or pared-back Scandinavian color palettes, combining 'unexpected forms and light, bright color palettes'. It's designed by Alexander Pott who was responsible for the iconic floor lamp from IKEA's PS collection, so you know it's cool.

But of course, there's the rest of the tree (or table) to decorate, too. So here's what I'd use to complement this Christmas color palette.

I know Christmas is still a few months away, but now is the best time to get started on your Christmas decor ideas, and deciding a fresh color palette is the perfect place to start.

For more ideas, subscribe to Livingetc's newsletter.

Set in the Hollywood Hills, this four-bedroom, three-and-a-half-bath Los Angeles home by influential mid-century modern architectural firm Smith and Williams makes an immediate impression with its dramatic roofline, steel post-and-beam structure, and countless playful aspects that enrich each space. But it wasn't always that way.

For Joelle Kutner and Jesse Rudolph of studio Ome Dezin, the first visit to it immediately captured what was special about the modern home and the vibrancy that, through renovations carried out between the 1980s and the 1990s, had sadly been lost over time. The spirit of the property wasn't the only thing to have changed through the years: so had its structural plan, expanded from one to two levels in the noughties.

The expansion partially remedied the tweaks that had come before it. As designers Kutner and Rudolph put it, "the architecture was incredibly strong and has this wonderful relationship between the landscape and the interior," lending the ultimate starting point for a restoration rooted in a sense of place and Californian heritage.

What was clear from the get-go is that their reinvention of the house would have had to retain the elements Smith and Williams had built into its fabric. Doing so successfully required assessing the geometry, materials, proportions, and atypical details that were already there.

The project unfolded over a year and a half, with much of the work involving careful architectural interventions rather than simply cosmetic changes.

Despite making a conscious effort to preserve the property's past, Ome Dezin wanted their intervention to be deliberate: something you recognize instantly, rather than blending into what has always been there.

The loft and primary suite on the second floor were the most significant spatial puzzles to craft into place. Here, the designers' solution was to replace the existing flight of stairs with a spiral staircase.

"We wanted to make that part of the house function as a true primary suite while maintaining the incredible volume of the double-height space below," Kutner explains. "With its cream exterior and flash of red beneath, the staircase sits like a piece of sculpture within the double-height volume," Rudolph says.

The structure sits in the entryway alongside a den area. It leads up to the balcony area, with its exposed steel beams, and the bedroom.

Existing features have been put to good use. A previous renovation had introduced circular fixed windows, and Ome Dezin carried the motif throughout the house as portholes. Upstairs, a porthole looks over the bathtub, and another sits in the primary closet.

The front door is a large custom piece featuring a circular window and fixed opaque glass blocks.

"Because we were working with an existing 1960s Smith and Williams house, there was also a continual process of responding to what we discovered during construction and making sure the new work felt appropriate to the original architecture," Rudolph explains.

At first glance, the mid-century modern property seems to embrace a muted palette. On closer inspection, though, Ome Dezin has tucked in pleasant surprises of color throughout. Graphic artwork from Creative Art Partners brings punches of brightness, and the bathrooms carry the idea further, with a yellow bathroom that adds a jolt of cheer.

"The fully yellow bathroom is one of our favorites," Kutner explains. In the bedroom, yellow cabinetry creates a sunny backdrop — a heartening contrast to the warm browns.

The art was selected in the same way as the furniture: "based on scale, color, texture, and its relationship to the architecture".

Ome Dezin wanted each artwork to both engage with and provide a valuable counterpoint to existing geometrical features. "Some pieces introduce softness or organic forms; others reinforce the graphic nature of the architecture," Kutner says.

As there was no specific client, Ome Dezin could determine the materials for spaces like the kitchen, which features a Ceppo di Gré countertop, backsplash, and side panels, set against elegant wood millwork.

"We never want a house from the 1960s to feel as though every object inside it also had to have been created in the 1960s," Kutner explains. For the designer, that can quickly start to feel like a period set.

"Instead, we looked for pieces with strong silhouettes, interesting materials, and a certain sculptural quality that could hold their own against the architecture," Kutner continues.

One of the most interesting elements of the project was getting to know the residents living in the area.

"The process became a kind of conversation about architecture with the very knowledgeable neighbors," Rudolph reminisces. "We found a little drawing of a heart in the poured cement from 1985 with the initials: HR+SR. We love seeing little things like this!"

And it is to unexpected moments like that one that this Smith and Williams home owes its contemporary rebirth.

Got a sudden California fever? Immerse yourself in West Coast nostalgia with our deep dive into the revival of vintage motels, or pin our list of the top Los Angeles hotels, concept stores, and restaurants for when you are next in town.

And for more inspiring home tours and design ideas, subscribe to our newsletter.

Despite looking at beautiful furniture and decor pieces, as well as gorgeously designed homes, as part of my job all day, every day, there aren't many occasions when I am stopped completely dead in my tracks to double-take at something — which is exactly what happened when I first laid eyes on the just-released-this-week Soho Home Huxford Bar Cabinet.

With its rounded profile of refined olive ash burl, honed Dark Emperador marble top, and pedestal base, combined with sculptural aluminium handles, every element of its design exudes luxury and elegance. As burl wood furniture and decor continues to dominate as a major trend this year, along with rounded forms and sculptural materiality, this piece combines all these elements to perfection, while maintaining a timeless appeal.

And it's not just wonderful to look at — this home bar idea is as practical as it is stylish, with ample storage, including dedicated wine bottle storage, glass storage, and even shelves in its doors. And my favorite detail? The shelves aren't just complemented by a mirrored back — they're also illuminated with LED lights. Cocktail night has never looked so glamorous.

Style It With...

Alternative Burl Bar Cabinets

If all these beautiful pieces of burl furniture have left you feeling inspired, our design writer, Maya Glantz, has put together an edit of the very best burl wood bedside tables that will instantly elevate your bedroom.

And for more shopping advice and design ideas for your space, subscribe to the Livingetc newsletter.

Dear Jill,

Inspired by your brief, I’ve curated a personalised sofa edit with a selection of pieces that bring together the traditional and contemporary styles you’re drawn to, while staying as close as possible to your practical requirements.

I’ve particularly looked for sofas with a more structured feel, a comfortable and reasonable back height, and options that offer a good balance between timeless character and a more contemporary silhouette. I’ve also prioritised fixed-back styles where possible.

Sourcing the right sofa can always be a little challenging, particularly when comfort, proportions, cushion construction and overall style all need to work together. For that reason, we always recommend trying a sofa in person wherever and whenever possible.

I’ve included a mix of styles and finishes across the edit, so there’s hopefully something that catches your eye. I’d also encourage you to explore the wider collections from the brands featured, as there are often additional fabrics, colours and configurations available that could work beautifully for your space. You can also have a look through our where to buy sofas edit, which brings together more brands and places to explore if you’d like to browse a few more options.

I hope you find the selection useful and, most importantly, that you discover a sofa that feels like the right fit for your home. I’d love to know which ones stand out to you.

If you'd like a little more support pulling everything together, take a look at Style, our room design service at Design Lab By Livingetc. We'd have a 45-minute one-to-one call to discuss your space, and afterwards I'd put together a full moodboard for your space, along with tailored product recommendations and a clear design direction.

I hope you find the selection useful and, most importantly, that you discover a sofa that feels like the right fit for your home. I’d love to know which ones stand out to you.

Best wishes,

Iokasti

I’ll be honest, Mayfair’s Design District isn’t one I’ve spent a lot of time in during London Design Festival in previous years. It’s not got quite the same density and buzz of areas such as Shoreditch or the Chelsea Design Centre, but this year’s theme felt like an interesting choice for an area so synonymous with wealth and a certain sense of polish.

What Matters Now is a thematic choice that really positions materiality at the heart of the new luxury design, and I wanted to find out exactly what that means in 2026. What I discovered? That the luster of perfection appears to have worn thin. That’s not to say we’re necessarily looking to patina in our spaces, but rather evidence of the craft behind what we buy.

How that’s expressed is a spectrum. I visit a showroom like Italian design brand Rimadesio, and its refined, elegant furniture is no less so than usual, but we might now see a visibly contrasted stitch in the smooth, burgundy-red leather of a new armchair. In more experimental moments from LDF, the furniture reveals its process in its final, often irregular, form.

At Monologue London, on Portman Square, alongside a vast floor-standing mirrored disc and a plum-red leather sofa from Tacchini, side tables from the Milanese Murano glass studio 6AM are a highlight of its LDF installation. They’re made, quite visibly, from molds of irregularly stacked bricks. And while you might not know exactly how they’re made, just by looking at them, you get a sense of what their craft involves.

Further, once you happen upon the versions of these tables made from an obsidian-black Murano glass, you come to learn there’s an even more exciting story behind them. In order to create this black finish, it destroys the inside of the kiln, so each piece has to be made in one that has reached the end of its lifespan.

Craft isn’t just about that visibly handmade aesthetic, but it’s the luxury of an anecdote.

There’s an interesting dialogue between the idea of craft and polish in what I find across Mayfair Design District. There’s elevation in material, yes — those glossy textures of Murano glass and lacquer, the elegance of leather, chrome, and marble — but often paired with irregularity. Shapes are distorted, different materials visibly Frankenstein-ed together, perfect surfaces interrupted by texture.

But where these rougher textures are introduced, designers are not necessarily looking to create a ‘lived-in’ patina per se, but to showcase the natural capabilities of materials.

At Mint Gallery, on Duke Street, it’s a visual feast, but one of my favorite pieces was slightly more subdued. Louis Tipping Stevenson’s Vernacular Ceramic Bench is made from waste clay sourced from London’s ceramic workshops, shaped and manipulated into rectangular tubes. Its glazed surface looks visibly distressed, but this is created through the clay’s ‘inherent properties, limitations, and responses, ’ the designer explains.

The creative process behind these pieces feels authentic, and that’s what resonates with what we want from our homes now.

My final reflection from my excursion around Mayfair Design District is about functionality and how the act of creation isn’t just down to the maker. Modularity is a design trend that will break new ground in 2027. Once only available from the most luxury brands, modular design has now become more accessible than ever, and offers the end user the ability to shape their spaces themselves.

It’s at the USM showroom where it hits home. I’ve visited before, and seen the endless combinations of its units creating everything from chic desks to walk-in wardrobes, to seating, but for London Design Festival, it’s been reconfigured as a record store to highlight its collaboration with audio brand Symbol, incorporating built-in speakers into its units.

As a modern design icon, it’s as charmingly analog a system as the vinyl records on display for this installation. And it goes to show that there’s real power in ‘making’.

For more design inspiration, sign up to the Livingetc newsletter.

If you were to engage the expertise of an interior design studio, you'd most likely expect to come away with a finished home. However, in the case of this build-to-order apartment, the objective was to create something exactly the opposite.

Located in Canberra, in Singapore's north, the dwelling is a form of government-subsidized housing. So, when Jade Cham, founder of Knock Knock Studio, was given the task of transforming it, she was presented with a true blank canvas, save for some internal walls and wall and floor tiles.

"There was no existing interior to work around in the conventional sense. The starting point was more about deciding what to retain, what to remove, and how far we wanted to depart from the standard finishes that came with the flat," she says of the home's original shell.

Unlike some projects, the flat's occupants, Mandy Lee and Esmond Chang, both 32 years old, came not with a long list of must- and must-not haves, but a willingness to hand full creative control over to Jade and her team. Their only requirement was that the home felt incomplete and unexpected, and that it could comfortably house the two of them, plus their beloved cat, Tiger, and dog, 4D.

A graphic designer, Mandy was no stranger to color and a "more experimental" approach, and creative bravery quickly became a commanding principle of the home's reimagining. The goal was a space that could stand on its own, while carrying the personality of vintage furniture, objects, and "unusual finds" collected over time.

"The home is constantly being edited and shaped over time, evolving with the people who live in it," explains Jade. "For the client, it is a collected home, shaped by the things they come across along the way, from thrifted finds at flea markets and pieces brought home from their travels to unexpected Facebook Marketplace purchases and items that took months to find. A work in progress, with every new addition becoming part of its story."

Color guides the way from the entryway to the most intimate of corners, where playful combinations and contrasts thread intrigue through each space. The palette, says Jade, was a collaborative imagining, guided by the desire to create a home that felt anything but predictable.

The entryway and kitchen drive an immediate impact with hits of Cottage Red by Benjamin Moore, contrasting against butter-yellow cabinetry and commanding attention from the outset, while the blue-hued bedroom calms and coaxes rest.

"Interestingly, when we were selecting the blue for the master bedroom, the client and I considered the colors separately and ended up choosing the exact same shade," remembers Jade. "It was one of those small moments that showed how naturally aligned we had become in our understanding of the home and its palette."

The palette itself changes, ebbs, and flows, each room taking on its own distinct mood but tied together as a collective with recurring materials, timber tones, and objects to avoid fragmentation.

In each room, a menagerie of vintage pieces, from small trinkets to larger pieces of furniture, creates a notable but gentle contrast to a backdrop of contemporary design.

Interiors were kept clean, and color, timber tones, and patterned surfaces create a bridge between old and new. There is a sense of deliberate discord, where pieces from different eras and origins sit side-by-side — but it's in these moments that the real magic happens.

"There was also no intention for everything to match," Jade warns. The opposite, "that contrast gives the home a sense of depth and makes it feel as though it has been assembled gradually over time, rather than designed all at once."

For the designer, that is ultimately what gives the home its character: "many of the things within it carry their own story or memory, rather than simply being selected to complete a particular aesthetic."

For all its visual interest, ensuring functionality and comfort was of equal importance — especially given the home's compact footprint. Jade operated within a realistic frame: the aim was not to make the apartment feel bigger, but rather to make each space work as hard as it possibly could.

The kitchen was expanded and an island added, and a coffee corner sits beside it in an organic "sequence of use". A sense of space is played with in the pantry and bathroom, where mirrored splashbacks and half-height walls create greater depth and visual openness, the latter allowing for additional hidden storage.

Despite its size, there is a lot to love about this apartment: the way it quietly commands attention, its layered nature, its unconventional elements. But for Jade and her team, the biggest win was the close relationship they formed with the client.

"There was a strong level of trust, which gave us the freedom to explore combinations that might initially have felt unexpected, whether through color, material, or contrast," she explains. "Because we remained closely involved throughout the renovation, the design was able to continue evolving during execution. Some of the more distinctive moments in the home came from this process."

For Mandy and Esmond, their home's redesign has been nothing short of life-changing. "There is a profound sense of peace that I didn't have before," says Mandy. "It feels less like a place I'm staying in and more like a reflection of who I am, which brings a lot of mental clarity."

Did Knock Knock Studio's remake of Mandy and Esmond's home get you daydreaming of a house makeover? To pick up inspiration along the way, revisit the edit of our favorite home tours from August 2026, and keep an eye out for more stories like this via our modern homes pages.

Subscribe to the Livingetc newsletter today for round-the-clock updates on anything from the most anticipated culture and hospitality openings for the lifestyle-obsessed to the hottest design trends.

The right lighting can transform a space. It's what gives it atmosphere, setting the tone for your home. But as many of us already know, achieving the perfect lighting scheme isn't quite as simple as it may sound. There are logistics to work through, and sometimes it can feel as though our space is working against us. Which is exactly why finds like this can be complete game-changers.

Whether you live in a rental property or your home's electrical wiring just isn't on your side, there are many obstacles that can come between you and the perfect home lighting scheme. And there's nothing more frustrating than having a spot in your home that is calling out for a statement light fixture and being unable to make it happen. If this sounds at all familiar to you, then I expect you'll be just as excited as I am about IKEA's newest launch: the STRÅLA Portable LED Light Source.

Over the past few years, rechargeable, wireless lighting has taken the interior world by storm. And understandably so. There's a seemingly endless selection of portable LED table lamps, floor lamps, and wall lamps available, but until now, no one had seemed fit to tackle the all-important pendant light. It's especially frustrating, too, considering what a dramatic effect a pendant light can have on a room. A dining room table, or dramatic entryway, just doesn't feel complete without a hanging light glowing above it. But now, IKEA has answered our prayers. Their genius little light source is ready to be dressed up with the lampshade of your choosing and hung from wherever you see fit. It's as simple as that. No hardwiring, no installation, just an easy, affordable solution to one of the most common lighting problems. Thank you, IKEA.

Alternative Battery-Operated Lighting

Now that you've found the genius IKEA light source, all that's left is to find an appropriately chic lampshade to accompany it. Luckily for you, we've already created the ultimate guide for where to shop for lampshades, so you can get straight to the fun part.

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Inspired by your brief, I’ve pulled together a few different bench options for the hallway, keeping the black door, stair detailing and pale flooring in mind.

Because the space is already quite clean and graphic, I’d use the bench to bring in a little warmth and softness, whether that’s through wood, upholstery or a stronger colour. I’ve also been really mindful of the 150 x 40cm maximum, because I don’t want anything to make the hallway feel tighter than it needs to.

I particularly like the Riva for you because it fits the dimensions exactly, adds warmth through the walnut and gives you hidden storage too. If you want something with a bit more personality, the ochre bench is such a lovely way to introduce colour while still tying back to the black details already in the space.

Hi Kaye,

Inspired by your brief, I’ve curated a small edit of floor lamps that work with the oak, polished chrome and matt black already in the room, while bringing in a little more personality through shape and texture.

Because your style sits between Scandinavian, contemporary and mid-century, I’ve looked for pieces that feel clean and considered but still have something slightly unexpected about them. Some lean softer and more sculptural, while others pick up the polished metal already in the room in a more playful way.

Stylist’s note: With a floor lamp, I’d think about how it looks switched off just as much as when it’s on. In a sitting room, it can act almost like a piece of furniture or sculpture, so I’d use it to introduce a shape or material the room doesn’t already have.

What better way to see the world than through the eyes of our favorite tastemakers? In Hidden Trails, we look at the places that feel most like home to our community of design insiders — wherever those might be — to help you uncover what their cities have in store for you.

Canadian maker and designer Mary Ratcliffe has carved a career out of shaping wood, metal, and stone into furniture and accessories that feel less designed than discovered, pieces that appear to have grown out of the landscape they're destined for, not simply imposed on it. It is fitting, then, that her hometown works the same way on her.

"Toronto is a city of neighborhoods, each with its own unique fingerprint and cadence, operating within a relatively small footprint," says Ratcliffe. Together, this vibrant patchwork of districts allows people to go from window shopping and a trip to the latest exhibitions to a wave off Lake Ontario, all without ever losing its magic.

Like countless creatives before her, she spent her 20s desperately "trying to get away from here," Ratcliffe explains. Home, when you are so young, can feel limiting for those who, like her, had a voracious appetite to see the world. It wasn't until recently, in the second half of her 30s, that the designer was able to experience and appreciate Toronto for what it has given her.

Grown at pace with the city itself, her production has since landed in New York and Los Angeles, though it is the dynamism of her place of origin that enabled Ratcliffe to come this far, keeping her curious and on her toes at all times. "There is always something to explore here," she says. Follow along to pin down her favorite things to do and see in Toronto, courtesy of an ever-evolving art space, a library fit for a 1980s thriller, and the lakefront when you can catch a wave without ever leaving town.

What to Do in Toronto, Canada

Discover New Creative Voices at the plumb

theplumb.ca. 1655 Dufferin St Basement, Toronto

The plumb is a project space run by a collective of creatives based in Toronto. The gallery looks to provide a platform for both emerging and established artists, serving as an arena where dialogue between audiences and talents from all walks of life thrives. The plumb regularly works with guest programmers to deliver fresh perspectives and create an accessible space in a city where space is at a premium. You're bound to see interesting work and meet intriguing patrons here.

Step Inside One of the World's Most Striking Libraries, The Toronto Reference Library

tpl.ca. 789 Yonge St, Toronto

The Toronto Reference Library is basically my studio away from the studio. Seemingly nondescript from the outside, the interior features a soaring, five-story atrium drenched with light and layers of curvaceous indoor balconies. Designed by notable Japanese-Canadian architect Raymond Moriyama, the library itself is home to Canada's largest public reference collection. While most of the library's materials are non-circulating, there is no shortage of places to curl up and dive into almost any topic you might discover and find yourself curious about.

Test Drive Two Sister Restaurants Elevating Food to Performance

lakeinezto.com. 1471 Gerrard St E, Toronto; instagram.com/belleisle__. 455 Gerrard St E, Toronto

Picking just one restaurant highlight is incredibly difficult because there is so much amazing food here. Toronto is the most multicultural city in North America, and there are endless lists of exceptional eateries to discover. Lake Inez and its sister restaurant, Belle Isle, are both exceptional. Located in Little India, they’re a bit off the beaten path of Dundas West and the Ossington Strip and bring a fresh twist to the city’s culinary scene. The Mystery Patio Tasting Menu at Lake Inez is the superior way to enjoy the restaurant. Served entirely by the owner, Zach, each course is presented along with hilarious and entertaining stories from his life.

Become One of Toronto's 'It' Girls With Absolutely Fabrics' New and Vintage Garments

absolutelyfabrics.com. 613 Queen St W, Toronto

Absolutely Fabrics is the most interesting boutique in the city right now. Carrying a highly curated selection of emerging and established designers as well as an excellent vintage catalogue, the boutique offers pieces that are unique, striking, and memorable while still being endlessly wearable. The store has a real point of view, exceptional interiors, and frames itself as a platform for emerging talent; what more could you ask for?

Just Get Out (of Town) — Or, Well, Almost — With a Trip to the Toronto Islands

The Toronto Islands, St Lawrence-East Bayfront-The Islands

The Toronto Islands are one of the most unique outdoor destinations the city has to offer. A short 15-minute boat ride from downtown takes you to a beautiful collection of 15 interconnected islands that separate the city harbor from greater Lake Ontario. The islands are home to Toronto Residents (who hold 99-year leases on home plots), the most perfect little amusement park, and serene parks and beaches. You feel like you've gone out of town for the weekend, but you're only about 20 minutes away from the nearest subway station.

One More (Lesser-Known) Thing to Note

The Beaches; The Scarborough Bluffs

People surf here. I started lake surfing at Ashbridges Bay in the city's Beaches neighborhood. The Scarborough Bluffs, a park with gorgeous sand and clay cliffs, also has a beach and a cove where, with lots of wind in the right direction, you can find a surfable wave. Obviously, it's not every day that you can surf in Lake Ontario, but when the waves show up, there is a surprisingly lively community of lake surfers here. Surfing has given me so much peace of mind, connection with nature, and most recently, it sparked the genesis of our CARVER collection. It might not be an everyday occurrence, but it's nice to be able to catch a wave close to home from time to time.

Where to Stay

Ace Hotel Toronto

IN A SENTENCE: Standing 14 stories tall in the heart of Toronto's Garment District, Ace Hotel Toronto distills the raw industrial history of its now hip neighborhood into a warm, community-driven urban retreat that seamlessly blends into the city's epicentre of creativity.

DESIGN: The fruit of an engaging, multi-year collaboration between Shim-Sutcliffe Architects and the hotel group's in-house interior team, Atelier Ace, the hotel mirrors the robustness of nearby brick-and-beam factories, reinterpreting it for the contemporary traveller. Past a striking, red-clay brick facade and monumental, cast-in-place concrete arches that frame the triple-height lobby, a tactile industrial interior reveals itself through a distinctly Canadian palette of warm red oak ceilings and Douglas fir flooring.

Local artistry is woven into the very architecture of the stay, featuring custom-designed lighting, a Howard Sutcliffe plywood installation and citylife-inspired guest rooms equipped with deep-set window benches that overlook leafy St. Andrew’s Park — the best of Toronto, at your doorstep.

ON THE MENU: A moody, semi-subterranean eatery led by award-winning local chef Patrick Kriss, Alder underpins the culinary offerings of Ace Toronto Hotel, putting fresh flair into the craft of wood-fired grilling. Against softly glowing copper sconces and lanterns, warm woods and terracotta tiles, the menu delivers intensely flavored, smoke-kissed plates, bridging rustic technique with refined, contemporary styling.

DON'T MISS: Aside from the lively community events hosted right in the suspended lobby lounge, we are crushing on Evangeline, the stay's 14th-floor rooftop bar. Framed by two massive brick fireplaces and anchored by concrete sculptures from David Umemoto, the indoor-outdoor lounge serves up signature cocktails against a sweeping, uninterrupted backdrop of the Toronto skyline.

The Drake Hotel

IN A SENTENCE: Strategically located in the eclectic hub of West Queen West, The Drake Hotel bridges the late 19th-century roots of its original architectural skeleton with a bold, contemporary expansion, solidifying its legacy as Toronto's premier hotbed for independent art, fashion, and adventure.

DESIGN: Similarly to Ace Hotel Toronto, The Drake Hotel too was brought to life by a synergetic partnership between beloved neighborhood locals: Diamond Schmitt Architects set out to restore and expand the building's architecture, while the interiors of the stay saw the address's own creative team and studio DesignAgency join forces with designer John Tong. The Modern Wing resulting from the collaboration pairs the classic structure with a facade of handmade white brick from Denmark and a polished steel, boxcar-inspired suite that cantilevers dramatically over the street.

Inside, it's pure design extravaganza, with plush velvets, mid-century modern furnishings, a painted brick fireplace and custom 3D wallpapers lending the backdrop to museum-level, contemporary art installations.

ON THE MENU: At the heart of the property is The Drake Hotel's Lounge and Restaurant, which serves up an energetic, all-day culinary program grounded in curated comfort food. The space balances pop-art-meets-diner aesthetics with rich wood and leather tones and an irreverent spirit. While, in the kitchen, elevated, locally-sourced bistro classics and inventive sharing plates accompany guests from casual weekday brunches to late-night snacky evenings: precious fuel to reverse into the city's buzzy artistic scene.

DON’T MISS: You absolutely cannot skip the Sky Yard, The Drake Hotel's legendary, chameleon-like rooftop patio, recently renovated and ready to entertain you throughout your sojourn. Outfitted with a fully retractable roof and surrounded by ever-rotating contemporary murals curated by visual art curator Ashley Mulvihill, it remains the ultimate year-round destination to grab a drink, mingle with locals and soak up the creative pulse and breathtaking views of Toronto.

Head to our travel pages for all the latest hotel openings and travel trends reports, and subscribe to our newsletter for everything else.

A good sofa is something that you build a room around. It becomes both the centerpiece of the space visually and the way you interact with it. When a good sofa is in place, the surrounding textures, colors, and layouts start to form around it — it makes designing a room that much easier. And while the basic structure of a sofa stays pretty uniform across design, interior design trends are leaning more towards interesting silhouettes, even over texture and color.

So, I've been keeping my eyes peeled for sofas that bring something new and different to your living room landscape, and have found a new favorite in S-CAB's Brezza Relax sofa collection. It's a rare design idea that somehow feels super structured and sculptural, while also quite relaxed — like it's been formed from cushions piled up on the floor, but, you know, in an elegant way.

So yes, it's a blend of contemporary sofa trends (a generous, multifunctional form with subtle texture) and relaxed, livable comfort. But beyond the initially captivating, high-end design, this S-Cab sofa also has a curious multifunctional detail: an integrated side table right between the seat cushions to hold a chic cocktail or warm beverage while lounging. Now that's something everyone wants in their living space.

This design started its life as an outdoor sofa, but now makes a very convincing argument for bringing one of the brand's most successful chairs indoors. The oversized cushions invite informal comfort, while a carefully selected range of recyclable fabric coverings gives the indoor version tactile and visual qualities aligned with a residential aesthetic. But is it the right choice for your space? Below is everything you need to know, plus tips on styling.

The generous, inviting shapes confirm their status as a sofa worth designing a home around, but what else does this new seating collection have to offer?

The focus of the range was to combine laid-back comfort with a new level of layout flexibility. The pieces are designed to adapt to different tastes, contexts, and uses through the different materials, finishes, and coverings.

For instance, the armrest element means you can configure the sofa with whatever number of seats your space requires, and the pouffe acts as a corner piece, a bench, or a footrest — it can be a living room sectional or a sofa and seat combo. Investing in modular pieces means you're building a living room that can change with you through the years.

As for practical styling, DesignLab by Livingetc stylist Iokasti Sotirakopoulou says she would focus on the plush aesthetic of the sofa. "I'd build the styling around the softness of the sofa, creating a more layered, architectural setting rather than adding too many accessories," says Iokasti. The deconstructed character and oversized form create a strong visual form on their own.

For instance, "I'd start with a large, textured or embossed rug in a warm neutral — something with a subtle pattern or irregular weave to bring depth underneath the very clean lines of the sofa," shares Iokasti. From there, "I'd introduce a few pieces with stronger sculptural forms, perhaps a low stone or travertine element, alongside a single oversized ceramic or glass object on the integrated table," she adds.

Among the Brezza Relax Indoors accessories, an integrable side table offers a practical compact surface with a unique chance to blend form and function. You can use it for lounging, entertaining, or even to hold something small, like a stylish coffee table book, when not in use.

However, "the styling story would be about softness meeting structure — tactile fabrics, natural materials, and sculptural forms coming together in a calm but very design-led space," says Iokasti.

Style It With These

The collection expands and evolves S-CAB's outdoor lounge into a system without betraying the principles and style of the original product. And between the modular elements and luxurious style, it becomes one of the best sofas for form and function.

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My visit to Brompton Design District during London Design Festival 2026 began with the Italian showrooms. At Molteni&C, Kartell, and Cassina, three chairs offered quite different propositions for a room — generous upholstery, an economical metal outline, and a decidedly expressive archive revival.

Beyond them, the exhibitions of “Perfectly Imperfect” opened up the story behind the objects. Moving between the two, I found a thread worth following — the relationship between a designer’s intentions and the materials that give those ideas form.

Molteni&C Gives Softness Some Structure

Introduced at Milan Design Week 2026, Cristián Mohaded’s Corsetto armchair was my focus at Molteni&C. Its generous, textile-covered volumes are held in place by a leather-covered base and bands that rise around the arms, giving the chair its corseted profile. The version I saw paired warm, highly textured upholstery with dark brown leather, making the contrast between softness and structure especially apparent.

Kartell Makes a Fine Line Count

Following its Salone del Mobile presentation, Savoia made its UK debut at Kartell’s London flagship. The brand’s first collaboration with Edward Barber and Jay Osgerby pairs a slender die-cast aluminum frame with seat and back options in recycled technopolymer, curved wood, or leather.

Its open structure offers a counterpoint to more enveloping seating. I’m drawn to the way that fine outline gives a dining chair definition without making a table setting feel crowded. It’s a reminder that furniture can hold its own without taking up much visual space.

Cassina Gives an Archive New Life

At Cassina, I found myself immediately drawn to Dalila. It isn’t an entirely new design, but a return to Gaetano Pesce’s original drawings from 1980, carefully reimagined by Cassina in collaboration with Studio Pesce. Made from flexible polyurethane foam and finished with a thin, colored elastomeric coating, its curved form has the slightly fluid quality that makes Pesce’s work so recognizable. The 2026 reissue also takes Dalila outdoors for the first time.

I have always liked furniture that can interrupt a room a little, and Dalila does exactly that. I can imagine a single chair placed at the head of a more formal dining table, where its eccentric silhouette would make the whole arrangement feel less predictable. That, to me, is when an archive reissue feels relevant — when it can still change the mood of an interior today.

The Most Interesting Ideas Were Still Taking Shape

After the showrooms, I moved into Perfectly Imperfect, the 2026 Brompton Design District theme curated by Alex Tieghi-Walker. Here, the focus shifted toward experimentation — the revisions, material discoveries, and intuitive decisions that happen while an idea is still finding its form.

What I liked about the theme was that imperfection never felt like something to celebrate for its own sake. Instead, it encouraged me to look more closely at how things had been made and to notice where the hand, personality, or curiosity of the designer remained visible.

The Reading Room at 36 Thurloe Place

My first stop was The Reading Room, on the ground floor of 36 Thurloe Place. Presented by TIWA Select in partnership with Tenderbooks, it brought together furniture and objects by 12 queer artists and designers, including Rich Aybar, Tino Seubert, and James Cherry, alongside books exploring art, architecture, design, and queer culture.

I liked that the books didn’t feel like styling props — they were part of how the room was intended to be experienced. It felt less like a display to move quickly through and more like an invitation to pause, look properly, and spend time with different perspectives.

Studio Iron Made a Case for Rooms With Personality

At Studio Iron, founded by Isamaya Ffrench, furniture sat alongside sculpture, textiles, and objects by contributors working across art, fashion, and design.

What stayed with me was the freedom of that mix. The pieces didn’t need to share one obvious style to make sense together — each brought its own material language and personality. It made me think about the homes I’m most drawn to, where objects have been chosen individually over time rather than selected to complete a perfectly coordinated scheme.

Rafael Prieto Looked at the Dining Room Differently

In The Lavery’s private dining room, Rafael Prieto’s On the Sunset, Which Is Only One explored how light and perspective can shape the atmosphere of a room. At its center were six sculptural chairs by Prieto’s studio, Savvy, each responding to a different position of the sun, accompanied by Marrow lights created by Prieto and Loup Sarion.

After spending the first part of my visit looking closely at individual chairs, I found myself thinking here about what happens when several distinct designs meet around one table. The room suggested that dining furniture doesn’t always need to match exactly — a strong shared idea can create just as much cohesion.

TOAST Brought the Focus Back to the Maker

At Hazel Studio, TOAST’s New Makers presentation introduced work by Jacob Marks, Yuichi Romita, Egle Silko, Hannah Watts, and Linnan Ye. The collection moved between wood-fired and wheel-thrown ceramics, pine-resin vessels, and textured sterling-silver jewelry.

These were smaller objects, but they asked for a closer look. I was particularly interested in how much character came from the materials themselves — the marks left by firing, an irregular surface, or the unfamiliar quality of pine resin. These are the kinds of pieces I would use sparingly in a room, giving one object enough space to hold attention rather than surrounding it with too much styling.

Finding Form Let the Material Decide

My final stop was Byron Pritchard’s Finding Form in a garage in Cromwell Mews. During August, Pritchard and his team worked from a single slab of sycamore using only hand tools, without drawings or a predetermined design. The objects developed through their direct response to the timber.

Of everything I saw, this felt like the clearest expression of Perfectly Imperfect. The material wasn’t being forced to follow a finished image — it was allowed to influence what the final object became. I left thinking that good design doesn’t always begin with having every answer. Sometimes it begins with paying close enough attention to recognize what is already there.

Brompton offered only one view of this year’s London Design Festival. For another side of the city’s design story, explore the Chelsea Design District highlights through Maya Glantz’s eyes.

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Tucked quietly away, east of the French capital, the neighborhood known as La Campagne à Paris — 'the countryside of Paris' — reads like a village hiding within the city. And this home, set back behind an ordinary front door, lands with a deliberate "twist" of surprise, like a shock of color set loose inside its sleepy cobbled streets.

For Lyon-based designer Célia Reubrecht, the brief was clear and the collaboration "easy" — owing to her client's confident, design-literate point of view. Reimagining the aged apartment of her late mother, the pair's creative starting point was an existing collection of eclectic treasures, many from the seventies and cast in Memphis-like shape and form.

Much of the remade space — which retains nothing but the same wooden floor — now feels like their rightful showcase, each room staging a different piece of the private trove.

Step inside, and the first thing you'll do is look up — at a deep green ceiling that beams down from above. And then you'll look down — at a checkerboard tiled flooring that spills out across the corridor, luring you beyond it.

The rooms that follow have been entirely reconfigured. Rather than opting for a more standard, resale-friendly two-bed split, the owner — who lives alone — was "determined to design something more bespoke," committing to a single luxurious master suite, with a smaller second room as an office.

A convert from Instagram, and an admirer of Célia's work, she came with clear convictions of her own. It was, in that sense alone, a rather fitting match — the designer, herself, has long backed her individual creative instinct. "I've always had my own way of thinking about design, so I only wanted to work for myself," she says, on founding a studio at an early age.

"Honestly, I wasn't sure I'd be able to work any other way.”

The kitchen is, perhaps, the loudest answer to the brief: cobalt-blue lacquer runs behind the counter, burned-orange cabinetry sits below it, a blush-pink row of units catches the light from a wardrobe-mirrored door. Everywhere you look, there is color — apart from on the walls, which are quite deliberately white, allowing each item of furniture and statement fitting to hold your attention.

And that they certainly do. "You see one detail, before you turn your head and suddenly spot something else," Célia explains.

Indeed, it's difficult to know exactly where to focus — on the centered, tubular pendant, metallic green socket covers, or the scarlet, flower-shaped handles dotted across the cabinetry. Two transparent Ghost chairs, designed by Philippe Starck for Kartell, are the only exception: allowed to disappear from view.

Where the kitchen scatters its colors across a canvas, the study commits to just one. Walls, cabinetry, even the desk itself, are lacquered in the same deep glossy shade of red — an immersive and uncompromising decision in an apartment that otherwise refuses to sit still.

A woodgrain tabletop and shelving have the feel of a deliberate postmodern material reference, while a spindle-back Windsor-style chair, in the same reddish tone, plays the traditionalist against them. But it's the wire pendant, strung with painted birds, that gives the room its centerpiece — and one more surprise.

Already a focal piece in the owner's collection, Célia was honest about her hesitation from the start: "I wasn't a fan at first. I was worried it wouldn't match the style." The light eventually found its way into the office anyway, a rather suitable pairing with the booth beneath it.

"It adds a real pop of color," the designer admits now, "and a twist you might not see coming."

Underfoot, the same herringbone parquet continues into the linchpin — the space an entire apartment has been reorganized around. One continuous suite now holds bedroom and bathroom together, divided only by a partition of red woodgrain with a circular porthole of reeded glass cut into it.

Here, for a moment, the home begins to quieten: an olive-green bedspread, a floral ruffle in soft pink and blue, walls left relatively plain. But step through, and the bathroom beyond picks the noise back up — admittedly in a more muted tone of voice.

A vintage teak sideboard, repurposed as the vanity, holds a molded resin basin, while a checkerboard tile, patterned with circles and stripes, climbs the wall around the mirror. Two scalloped wall sconces flank the sink like a pair of theater lights.

The tucked-away toilet is Célia's favorite room yet, where the smallest space is working the hardest. Blue wraps the walls, floor to ceiling, deep and immersive, almost oceanic. A prominent collection of the owner's shell-shaped lighting features only further that undersea feeling — staged on the shelves like something surfacing from below.

Many of these creative moves find their footing with relative ease in Paris, but would raise eyebrows back in the designer's home city, Lyon. Tastes often veer "quite bourgeois, old-style," she explains — although Célia senses that's beginning to change.

She's one of the few designers on the scene pushing boundaries, from street to salon; three years ago she opened a concept store beneath her studio, selling a characterful and curated selection of interior accessories. The local response has been better than she expected, and Célia is encouraging boldness, rug by rug, tile by tile.

"I can see that people are interested in different pieces, colorful pieces," she says. "Often it's about starting small — with objects and decorative accents — before eventually being tempted into architecture and full-scale renovation."

Two more apartments in Paris are already underway, alongside new work back in Lyon. A hotel, too, is on the cards — though for now it remains just that. "It's my dream project," Célia says. "Thinking about every room, the public spaces, the whole artistic direction. That would be the dream."

But all of it can wait. Like the unhurried streets that shelter this apartment from the churn of the city, this designer isn't in a rush.

Revisit more stories like this in our modern homes archives, or take its playfully iconic atmosphere home with you with this curated selection of interior design buys.

For more Parisian joie de vivre, dig into our edit of the most beautiful restaurants in the French capital, or mark these local coffee shops in your diaries for when you are next in town.

I was just complaining about early Christmas fatigue with all the festive launches hitting shelves perhaps a season too early. However, I stand corrected because the moment I found this 2026 Advent Calendar on Westwing, filled with decor, I could almost hear Mariah Carey's whistle notes buzzing through the air.

Never have I ever spotted a true design advent calendar before. And while I'm all for the glamorous boxes filled with beauty bits and delicious scented candles, I have to say this design-led set might be my favorite advent yet.

And it's not the kind of calendar that'll leave you feeling cheated either. There are no novelty items taking up space in these boxes. Instead, you'll find gifts from Westwing Collection, Aesop, Bloomingville, Audo Copenhagen, Ferm Living, DBKD, Philippi, Vinga, Vondels, WMF, Archivist, and Broste. Plus, if it's anything like last year's stylish advent calendars, now's the time to ready your cart.

Wish List Advent Calendar Decor from Westwing

While this advent calendar has reignited my excitement for the festive season that will no doubt soon approach, I'm still doing some fall shopping for my home. And lucky us, the latest instalment of The Fifty is all things cozy and autumnal.

Subscribe to the Livingetc newsletter so you don't miss out on the next festive drop.

It doesn't take more than a handful of weeks into autumn to forget about the sudden buzz every Londoner gets as soon as spring stages its comeback. But to those who claim there is no better place to be when the sun hits than here, I always say the same: few cities look and feel as good dressed in orange leaves as the British capital, and the plethora of openings and events punctuating the autumn calendar may well have something to do with it.

With leading arts fairs Frieze London and Frieze Masters returning alongside another edition of global design showcase PAD London in just a few weeks, it's time for some serious planning. From skyline-blessed jazz concerts and a neighborhood-wide festival capturing the well-traveled spirit of Mayfair's Mount Street to the most discreet new bar we can't wait to get ourselves a table at, here's your fluff-free guide to what to do in London this October.

The Design Moment

Art, Decor, and Furniture Find New Forms at PAD London 2026

Berkeley Square, Mayfair. October 13-18

The 18th edition of PAD London, one of the world's leading art, design, and jewelry fairs, returns to Berkeley Square, Mayfair, October 13-18. Gathering 67 exhibitors from 18 countries, including 12 newcomers, the fair brings together museum-quality historical works, bold contemporary furniture, one-off craft and precious accessories in a dialogue between past, present, and future. A fixture of London's October calendar, PAD is also a chance to discover influential galleries including Carpenters Workshop Gallery, one of the foremost protagonists of London Design Festival, and Friedman Benda, among others. As in recent years, though, it's exhibitions of younger galleries that have caught my eye: I'm particularly looking forward to Initio Arts & Design's historic French and Italian pieces, Pik'd's technicolored ceramics, and Swedish artist-designer Alfhild Sarah Külper's fuzzy textiles at Rademakers Gallery.

Book your tickets to PAD London 2026.

The Art Pick

Creativity Abounds at Frieze London 2026 — And Mount Street Neighbourhood Arts Festival

The Regent's Park, October 15-18 (Frieze London and Frieze Masters). Various locations across Mount Street Neighbourhood, October 12-17 (Mount Street Neighbourhood Arts Festival)

October in London wouldn't be half as frenetic without global art platform Frieze putting up a three-part show across Frieze London, Frieze Masters (both October 14-18), and Frieze Sculpture (through November 1). Now in its 24th edition, the appointment, hosted on the grounds of Regent's Park, will see ambitious solo presentations, from Dalton Paula at Lisson and Albert Oehlen at Gagosian to Marina Perez Simão at Pace, alongside a debuting section examining how artists respond to mass culture, consumer goods, and the information flows of mass media, The Code Universe, and regulars like Focus and Artist-to-Artist. At Frieze Masters, the emphasis shifts towards rediscovery with Anthony van Dyck's Portrait of a Nobleman, a 26th-Dynasty bronze of Ptah, and Ampe Kempkes's Queering Modernism, unveiling a manifold archive of queer visual histories.

Elsewhere in the city, and not far from Regent's Park, the third iteration of Mount Street Neighbourhood Arts Festival (October 12-17) injects more inspiration into London with its signature mixture of art, design, food, and conversation. Must-sees include photographer Miles Aldridge's 15 Minutes of Fame, a Hauser & Wirth Publishers pop-up, and a series of intimate talks and breakfasts dotted around the seriously charming district.

Book your tickets to Frieze London and Frieze Masters. Find out more about Mount Street Neighbourhood Arts Festival

The Culture Spot

Ronnie Scott's Takes Over Seabird, the Rooftop Bar of The Hoxton, Southwark

Seabird at The Hoxton, Southwark, eight Sundays from October 18 to December 6

This October, following a sold-out first edition, Seabird, the rooftop restaurant perched on the 14th floor of The Hoxton, Southwark, welcomes back its much-loved Ronnie Scott's series in partnership with GREY GOOSE® Vodka. Across eight Sundays from October 18 to December 6, London's legendary jazz and blues institution will bring its unmistakable sound to the rooftop, where sweeping city views, Iberian seafood, and live music make for a rather dreamy way to ease into the colder season. The lineup is especially tempting, spanning award-winning Scottish vocalist Georgia Cécile and the groove-led Jackson Mathod to Cherise, Natalie Duncan, and Myele Manzanza, while a limited-edition cocktail menu puts GREY GOOSE at the center of the experience with curated drinks like winter Espresso and oyster-paired Bergamot Martinis. Each performance comes with a four-course seafood-focused menu and a Classic GREY GOOSE Tiny Tini, making the program a one-Sunday plan that feels particularly hard to resist.

Keen to know what Ronnie Scott's feels like? Revisit our recent feature on the recently refurbished Upstairs at Ronnie's, or book your tickets for the Ronnie Scott's Seabird takeover.

The Foodie Find

 Labombe by Trivet Goes Even Artsier

Labombe by Trivet at COMO Metropolitan. From October 1

One of the best restaurants in London for gastronomy and interiors connoisseurs, Labombe by Trivet celebrates its first birthday on 1 October with the launch of a new British contemporary art programme at COMO Metropolitan. Created with A Space for Art and Incubator Gallery, the restaurant's first art rotation will overhaul its existing collection with a curated selection of boundary-pushing emerging artists. Confirmed artists include Katherine Qiyu Su, Eva Dixon, and Emma Windsor-Liscombe, with further names to be announced, making the address one to know for people keen to pair standout food and wine with a full immersion in the freshest British talent.

Book your table at Labombe by Trivet.

Where to Drink

Venus Bar Brings France's Joie de Vivre to Chelsea

Venus Bar at Brasserie Angelica. From October 9

Opening on 9 October beneath Brasserie Olivia on the corner of Sloane Square, Venus Bar brings a distinctly 1970s Paris-inspired atmosphere to Chelsea. Designed as a speakeasy-style retreat, the new space features warm oak paneling, a sleek chrome bar, and shelves filled with vinyl and antique objects sourced from French markets. Expect details including glass absinthe fountains, chess sets, antique silver candlesticks, and Chartreuse-green velvet chairs, creating an intimate, richly layered setting beneath the restaurant. An instant contender for our edit of best London bars, the launch adds a new late-night destination to Brasserie Olivia, infusing French joie de vivre and vintage Parisian character into Sloane Square.

Book your table at Venus Bar.

Want to know what to do in London in October 2026 and beyond? Stay in the loop by subscribing to the Livingetc newsletter to get our top stories straight to your inbox. And if you want to get away from it all, check out our five curated itineraries for an artful day trip from London.

In his foreword to Nathan Orsman's debut monograph, Light: Illuminated Interiors and Architecture, trailblazing fashion designer Marc Jacobs writes: "I once visited a house designed by one of my dear friends, the late Paul Fortune, and everything in it was perfect, so comfortable and stylish, bathed in this light that made everything feel positively cinematic. I realized, that's how life should be: you should always feel like you're in the perfect still from the movie of your life. That's what Nathan helped us create."

It is a statement that confirms what the Australian designer, the founding principal of namesake interior and architecture lighting practice Orsman Design, which counts Jacobs and fellow A-listers Oprah Winfrey, Tommy Hilfiger, and Ina Garten among its clients and has collaborated with stellar industry staples like Kelly Behun, Ashe Leandro, Gil Schafer, and Steven Gambrel, has been trying to tell us since 2009, when the studio launched — that lighting holds the power to make us travel through space, time, and, yes, even fantasy.

As Light: Illuminated Interiors and Architecture, a first-of-its-kind, 320-page visual survey of Orsman's projects across cinematic homes, gardens, and commercial spaces, co-authored with architecture critic Ian Volner and published by Rizzoli, releases September 29, we sat down with the Sydney talent and asked him to share an underestimated trick that can make his moody yet sophisticated schemes more easily achievable by all. A hint: it all comes down to (creative) direction.

As the Lighting Designer for Some of the World's Leading Tastemakers, What's One Lighting Trend You Think Is Coming Back?

"I'm particularly interested in the return of the monopoint. It isn't a new idea, but the technology has become so much more refined. The fixtures are now incredibly small, with connections that nearly disappear into the ceiling. Some can even be added when needed and removed afterward, leaving very little behind.

"What I love is the control they give you. A downlight tends to illuminate a space more generally, while a monopoint lets you place light exactly where you want it, keeping the source out of the eye while creating contrast, depth, and a little drama.

"The best spaces have a quality that is difficult to describe. Nothing calls attention to itself; nothing feels wrong or missing. The whole environment just feels incredibly right. That search for visual calm has been a constant throughout my career, and I think the new generation of monopoints gives us another very beautiful tool for achieving it."

What Makes the Monopoint an Especially Desirable Feature to Include in Your Home Right Now?

"The return of the monopoint feels closely connected to the way interiors are being designed today. There is a real desire for more restrained ceilings and fewer visible fixtures, but also for lighting that feels layered, flexible, and intentional. Their small scale keeps the ceiling visually quiet, while the adjustable light lets you highlight art, architecture, or specific areas of a room with precision.

"Advances in LED technology have made this possible, but they have also introduced far more variables. Color temperature, color rendering, optics, dimming, and consistency all matter, and two products with the same specifications can still produce very different light. In our practice, we test and compare products side by side in our Light Lab. For a homeowner, it might be as simple as trying one lamp before committing to 50.

"That flexibility is especially relevant now, as rooms are expected to change and evolve. A monopoint can be adjusted, added, or removed without redesigning the entire ceiling, allowing the lighting to respond to the space while remaining considered."

What Are Some of the Concrete Ways Monopoints Are Integrated in Your Projects — And to Which Effect?

"We use monopoints to focus light on art, sculpture, tabletops, and architectural details where a conventional downlight would be too broad. Because monopoints can be aimed so precisely, we can build contrast into a room and give individual elements their own presence without lighting everything equally.

"I started using them early in my career, when the fixtures were considerably larger and clunkier. Some clients and designers are still initially hesitant about having something hanging slightly below the ceiling, which I completely understand. But today's monopoints are so small and refined that they can feel like an intentional part of the design.

"The real turning point is seeing them at night. Once clients and designers experience how focused and dimensional the light feels, that hesitation usually disappears. After completing a house with them, many of the designers we work with become very receptive to using them again."

What's More General Piece of Advice You'd Give to People Wanting to Get More Intentional With Lighting?

"The biggest takeaway is to think about light and how it interacts with the space. Pay attention to where it falls, how it plays across different surfaces, and most importantly, how it makes you feel in the room. Don't choose a fixture only because it looks good in a catalogue or technically produces enough light.

"We think of lighting as painting with light. It allows you to decide what should be illuminated, what should remain quieter, and where the eye should travel. That balance of light and shadow is what gives a room atmosphere, depth, and a sense of calm.

"Practically, the advice is very simple: look, test and compare. Try a fixture or lamp in the actual space before committing to it, and experience it at different times of day. Technical specifications are useful, but your eye will often tell you what the numbers cannot."

Nathan Orsman's Light: Illuminated Interiors and Architecture is out September 29.

Feel like revisiting some of our previous interviews with designers to take notes on their hot takes? Write down the four questions designer Brigitta Spinocchia Freund always asks her clients that hold the secret to a home that's "rich, personal, and full of interest", or pick up advice for an artful restyle from leading collectors Friedrich and Johanna Gräfling.

For more reflections on the interior space, but not like you know it, explore our ongoing series, The Meaning of Home, for long reads crafted with care to be enjoyed slowly over tea or coffee. Subscribe to our newsletter today to ensure you are not missing any of our stories and become part of our community of culture pioneers, globetrotters, and tastemakers.

London Design Festival has been part of the city's September calendar since 2003, bringing London's creative community together and celebrating the city as a global design capital. More than two decades later, it still works in much the same spirit, spreading across several pockets of London through exhibitions, installations, launches, talks and showroom openings.

This year, though, Soho joined the festival as its own Design District for the first time, so I wanted to spend a morning seeing what that actually looked like through an interiors lens. The area already has such a strong creative identity that it makes total sense as a setting. Soho has always been where different creative worlds overlap, and today that includes some of London’s most established names in furniture, lighting and design, from Heal’s to Artemide, alongside smaller studios, galleries and independent makers.

What really came into focus for me was the difference between what feels new and what has the substance to last — through light, form, materials and the thinking behind how things are made.

Labyrinth Dreams Bethan Laura Wood × Bocci

My first visit was Bocci on Bateman Street, where Bethan Laura Wood created Labyrinth Dreams around the brand’s new Purple 14p light. Bethan is known for her expressive use of color and materials, so I already felt the installation would be visually joyful.

And it really was. The colorful plinths and sculptural arrangements of glass lighting were placed in a way that felt really intentional. What I loved most was the curiosity in how the materials behaved. The surrounding colors seemed to alter how the glass looked, making the whole installation feel almost constantly changing. The Purple 14p is made from Alexandrite glass, which responds differently depending on the light around it. In warmer light, it takes on softer lilac and pink tones, while cooler light brings out deeper blues and smokier shades. In person, the effect felt much subtler and more beautiful than I expected.

When I pointed out the tiny bubbles suspended within the glass, Nora from Bocci explained that they’re part of the beauty of the process. “A lot of products are a result of some sort of accidents,” she told me. “We just play with processes and see how they react or interact with other materials.”

The Purple 14p also builds on one of Bocci’s most recognizable designs. The original 14 Series launched in 2005 as a suspended glass pendant, and the 14p reworks that same imperfect spherical form into a portable, rechargeable light.

Future Icons by Heal's

My next stop had to be Heal’s for Future Icons, an exhibition built around a simple but interesting question: what gives a piece of furniture or lighting enough staying power to become a design classic?

When I spoke with a member of the Heal’s team, he explained that many of the pieces selected are designs customers have returned to again and again over the years. They may not be the newest or most attention-grabbing pieces in the store, but they’ve lasted because they still feel relevant as interiors change around them. Seeing them together made me think about 'timeless design' a little differently. Longevity can actually be quite subtle. It might come down to how something is made, the materials, the proportions, or a silhouette with enough character to feel distinctive without belonging to one particular moment.

As an interior stylist, I’m always searching for pieces that can truly elevate a space, and the Matera sofa exemplifies what I value most in enduring Italian design. It has these elegant proportions, really thoughtful craftsmanship, and the kind of refined silhouette that gives so many iconic furniture designs their staying power.. Its plushness invites layering for a relaxed look, yet its clean lines let it anchor more contemporary or minimal interiors just as effortlessly. This is the type of sofa I recommend to clients because it adapts gracefully as tastes evolve; instead of dictating the direction of an entire room, it supports and enhances it.

Better Living by Design

A short walk from Heal’s, I ended up at The Heal’s Building for Better Living by Design, where I met Yasmin Jones-Henry, one of the exhibition’s curators and founder of The Lab W1. Yasmin is a curator and placemaker with a specialism in sustainability, design and culture, and one of the talks in the wider programme asked a question I found especially interesting: what if the future of design is handmade in the age of AI?

What made the exhibition feel particularly relevant to Soho was Yasmin’s conversations with the local community. Instead of just presenting finished objects, the exhibition opened up the worlds of the makers, materials, and processes behind them. That question about handmade design felt more tangible as I moved through the space. We’ve already seen material innovation become a much bigger part of the sustainability conversation in interiors, and here, overlooked materials had been reimagined into furniture and objects, bringing longevity back to craft. Here, longevity felt like it went one step further, looking not only at how long we live with something, but at the materials, processes and people behind how it was made.

And I think that’s where the conversation gets really interesting. In a world of ever-faster design, looking beyond the finished piece — to how it came to be, who made it, and what we truly want to live with — feels more important than ever.

There’s still plenty more to see from London Design Festival, and I’ll be sharing the moments that genuinely stand out as the week continues. Sign up to the Livingetc newsletter to follow along.

I know what you're thinking, it's still only September. But the truth is Christmas is less than 100 days away, and decorations are already in stores, so if you decide to bury your head in the sand, you're simply going to miss the best things — starting with this Scalloped Seagrass Tree Skirt from John Lewis.

An oft-overlooked element when decorating a Christmas tree, you could think of a tree skirt the same way you would a rug in a room; it's the grounding detail that pulls the design together. That's why a natural, neutral option like this woven seagrass style works so well, while the subtle scalloped silhouette gives it just the right amount of interest to feel considered without detracting from your tree decorations.

Plus, I feel like tree skirts are a good piece to buy early when it comes to Christmas decorating ideas, particularly when you choose a style like this that doesn't lean traditionally 'Christmas', because who said you can't disguise an indoor pot behind a skirt year-round? Not me.

While tree skirts didn't start as an aesthetic thing — it was originally designed to catch the dripping wax from candles on the tree back in the 19th-century — today, they come in all different shapes, sizes, and materials, which means you can really make a statement depending on what you choose.

That's where I think natural materials like this style work best; they either complement a more pared-back, Scandi-style or ground glossier ornaments, metallic tinsels, and loud, kitschy decorations.

But John Lewis' style isn't the only way to do it. Below, I've found six other woven, organic-feeling tree skirts that will set the tone of your tree this Christmas (and beyond if you so feel).

Can't find a tree skirt you really like? Last year, we saw Christmas trees in pots in loads of the coolest peoples houses, so perhaps that is more the approach for you?

For more product inspiration, subscribe to Livingetc's newsletter.

I was never a 'horse girl' myself, but I grew up with a sister who was a passionate equestrian, and then I moved 'out west' (to Colorado) for university — does that make me horse-girl adjacent? Either way, I love a horse motif or subtle western influence when it comes to interiors. When it's done well, it reads as an elevated rustic style, with a sense of free-spiritedness. And the Felix Rug from the new Anthropologie x Ruggable collection is exactly that, done very well.

Overall, the new drop from Anthropologie x Ruggable has a modern heritage, folk-inspired vibe (which is not surprising from Anthropologie) — think folksy-inspired borders, floral prints, and natural motifs. In this regard, the Felix Rug feels like both a perfect fit and a bit of an outlier: it has an obvious earthy colorway and, of course, the horse motifs, but the overall style is more contemporary and dynamic for schemes beyond your typical cottage-core aesthetic.

The solid emerald green base creates a powerful color statement (and opting for a high-saturation underfoot is very 2027-coded when it comes to rug trends). But it's then balanced by the faded, running horse motif dotted across the piece. It's fashionable, but soft and very easy to style. In fact, it wouldn't look out of place on your wall as a work of art.

The best way to do Western decor or horse motifs in your decorating scheme (it is the year of the horse, in case you forgot) is to go for a subtle and stylized look. Think embroidered pillows, artwork, and yes, even pieces like this rug.

But again, the magic of a rug like this is that it doesn't have to stick to a certain aesthetic. It sits somewhere between a patterned rug and a solid-color rug. And though bold, the green creates a nice grounding base that works in a range of schemes and rooms. But with Ruggable's washable design, I'd love to see this piece styled in a high-traffic area like a living room or as a rug underneath a dining table.

There are plenty of other cozy, colorful floor coverings throughout the rest of the collaboration, too — and they are right in line with some of my favorite trends happening today. Deep burgundy colorways, modern plaid prints, and even a tapestry-esque mural print; below are six more rugs worth checking out.

Ruggable has been hard at work cooking up new collaborations — I still have the Ruggable x Morris & Co. collection on my mind. But nothing's wrong with having more stylish rugs to peruse!

For more inspiration like this and to stay up-to-date on the latest and greatest, be sure to subscribe to the Livingetc newsletter.

Dear Catherine,

Inspired by your brief, I’ve curated a personalised edit of bookcases and shelving that I think would work beautifully in your living room.

As you haven’t mentioned any specific dimensions, I’ve included a mix of different sizes and shapes, so you have a few options to consider depending on the space you have available. I’ve particularly focused on pieces in solid or natural wood, as I think the warmth and timelessness of the material work really well with the minimalist, modern and Scandinavian feel you’re after. I’ve also included a couple of more contemporary options if you’d like to bring a slightly different element into the room.

If you'd like a little more support pulling everything together, take a look at Style, our room design service at Design Lab By Livingetc. We'd have a 45-minute one-to-one call to discuss your space, and afterwards I'd put together a full moodboard for your space, along with tailored product recommendations and a clear design direction.

I hope you enjoy exploring your curated edit, and I'd love to hear which pieces you feel most drawn to.

Best wishes,

Iokasti

"When life gives you a darker space, lean into it, pull in warm elements and go for cozy drama." That's the advice from interior designer Sheena Murphy, who renovated her family's first-floor apartment in an Art Deco building. Situated on an ancient street in Madrid, the apartment has limited daylight — during the winter months in particular.

So began a rather rushed process to get the place up and running as a functional, family-friendly and, crucially, aesthetically pleasing modern home — something that could be tricky, if it wasn't for Sheena's interior design expertise. The result is a space that has plenty of warmth, depth and welcoming energy.

"I didn't try to fight the fact that it wasn't super light-filled," Sheena Murphy says of the project, "and rather than go for the neutral tones of many of our previous projects, I upped the contrast with shades of terracotta, chocolate and caramel, with some green in the mix, too." The palette was inspired by the large-scale artwork in the living room by Paris-based artist Hermentaire.

Sheena and her partner Paul, who is a climate-focused small business advisor, moved to Madrid from London so their 10-year-old daughter could experience life there and learn the language. "We moved here two years ago for a couple of school terms, but stayed as we all love it so much," she says. The family needed to find a home speedily and ended up buying a nearly constructed three-bedroom apartment from a Madrid-based developer. It has a large living room and a balcony big enough for morning coffee.

The time frame for completing the project and fully furnishing it ready for the start of the new school term was a scary three months. "It was very tight, so our options were limited to stocked or short-lead-time items, which is tricky when you're mindful of materials and processes, you're trying to avoid too many large companies with mass-produced items, and you barely speak any Spanish," laughs Sheena.

The first thing she did was incorporate layered lighting: identifying lighting locations and sourcing fixtures, focusing on adding power points for wall lights and pendants in addition to the developer's task lighting. Decorating the apartment became Sheena's full-time job, with mood boards plus complete plans with all the specific furniture items and the physical materials noted, to ensure that everything was going to work and that the proportions were correct.

The facade of the apartment building is protected, but inside most of the Art Deco references had gone. "I wanted to acknowledge its heritage through items of furniture sprinkled throughout," she says. "The curves of the sofa, the round little pouffes and the ceramic fan lights — they are not overly obvious, but subtle nods to the period.

"Many accessories and the microcement dining table came from within Spain, but the choice was limited, so quite a lot came from France, Denmark and the Netherlands, which are all EU, so at least items could be transported by lorry, which made it a little more responsible."

The apartment will be hard to leave when the family returns to the UK imminently. "I don't think Madrid will ever really leave us, though. We've got such an incredible community here and a really strong connection to the place," says Sheena. "And our daughter now dreams in Spanish, so we have a little Madrileña on our hands!"

For more inspiring home tours and design ideas, subscribe to the Livingetc newsletter, and all the latest will be delivered directly to your inbox.

When design weeks around the world open the doors to exhibitions, showrooms, storefronts, and talks from all the best designers, it creates a certain buzz. It sparks inspiration across the interior design world, from materials and textures to noteworthy forms and brand-new collections. While I didn't have time to peruse all that London Design Festival had to offer, I did get to spend the day in one of its more innovative districts — Shoreditch — and let's just say, there was a lot to take in.

Two of the biggest exhibitions during Shoreditch Design Week are Materials Matter and the House of ICON showcases. As I wandered through the old London buildings housing these exhibitions, there were a few themes I noticed continually repeating: sustainability, materiality, and a clear sense of craftsmanship.

As trends continue to cycle and a new year of design lies on the horizon, events like this give us a strong glimpse of what the greatest minds in design are up to. This, in turn, helps inspire people like me and you when planning our next refresh, renovation, or home upgrade. To help, below are five thoughts, feelings, trend spottings, and musings I had while strolling the streets of Shoreditch Design Week.

1. The Simplest Materials Can Produce the Most Beautiful Forms

I started my day at the Wood for the Trees Exhibition, put on by the American Hardwood Export Council (AHEC) in collaboration with Mitre & Mondays and Benchmark. It was a homecoming of sorts. The exhibition explored how we can sustainably source timber from forests on the eastern coast of the United States (including the Appalachian Mountains, where I'm from) by rotating species and giving trees room to regenerate.

An interesting detail of the exhibit was that every piece on display was actually simple Number One Common wood — also known as 'cabinet grade.' This kind of wood sits below the top-tier timber that you would normally see in luxury design, yet it was still striking and beautifully crafted. The point being, with the right designs and approaches, we have materials and resources all around us that can be made into really fantastic furniture pieces.

Recent interior design trends point to a desire to reconnect with the natural world through color and texture, but the Wood for the Trees exhibition shows how we can introduce that feeling through more intentional design — beautiful timber furniture that also has a low carbon footprint.

2. Craft is More Important Than Ever

Moving along, my next stop was the House of ICON — a space for emerging designers to share their work. And let me just say: it was a wonderland for design lovers. There were boundary-pushing pieces around every corner. And while every piece truly knocked me off my feet, I can't say I was surprised to see a central theme of craftsmanship permeating the space.

In the face of AI, more analogue routines are becoming prioritized. Similarly, overly sleek, minimalistic furniture and decor are being swapped for pieces with overt craftsmanship. Think carved wood, fringed detailing, and the drawn-on decor trend.

At House of ICON, many pieces were inspired by personal experiences and cultures and crafted with materials and into shapes that give a one-of-one aesthetic. I left inspired and sure that the next couple of years in interior design will place more value on noticeable craftsmanship and human-centered design.

3. Subtle Texture is Set to Be the Biggest Trend

Texture in design is definitely a contemporary fixation. This includes hairy furniture and fuzzy blankets, as well as the rise of leather alternatives and brushed aluminum. Texture is the base of good layering in design. And Shoreditch Design Week had texture in abundance.

However, the pieces that really caught my eye were the ones where texture felt slightly subtler. Sofas with tonal, textural patterns that blend in from far away but add visual interest when close up, and vases made of glass so delicate that it creates an inherent web-like texture. These iterations of texture design feel very nuanced — we all know and love texture, but this is a way to fine-tune your style.

4. Sustainability is on Everyone's Mind

It should be obvious why sustainability is on our minds more these days. And in many ways, sustainable interior design is leading the charge. We want to make the pieces we bring into our homes (or build them out of) more eco-conscious, keeping them connected to and respectful of our planet, while still feeling beautiful. Well, Shoreditch Design Week definitely reassured me that designers are thinking about the environment ten-fold.

Almost every display throughout the House of ICON and Materials Matter galleries included innovative, eco-conscious materials, spanning everything from seaweed leathers to cement made from bacteria to pine resin blocks. It's slightly hard to imagine some of these, but every material was fabulously executed and had its own distinct character.

I would say these environmental material alternatives look 'just like the real thing' (and they do), but they are the real thing — this is the new way to blend good design with sustainable resources.

5. Nostalgia Can (and Should) Be Translated into Contemporary Design

And lastly, Shoreditch Design Week showed me that the design world is still feeling nostalgic. Whether it was design inspired by an artist's childhood or pieces influenced by design movements such as the mid-century modern style, nostalgia-driven creations were abundant. And this feels like the perfect way to round out the current craving for hyper-personal homes. What better way to show character than through nostalgic colors, fabrics, and motifs?

But how exactly did this manifest throughout Shoreditch Design Week? Well, one example was the team at Tamart, who shared that its entire collection was inspired by the life and designs of the founder's late parents, who dined with the likes of Miriam Makeba and created iconic 1960s furniture. The reimagined mid-century furniture is both nostalgic and contemporary, honoring past designs with present-day fashion.

I must say, I left the Shoreditch corner of London Design Festival with a revitalized spirit and plenty of inspiration. It was a chance to see all the best of ICYMI roundups and monthly musings up close and in person — and, of course, I'm here to keep you filled in.

For more inspiration while we patiently await next year's design week, be sure to subscribe to the Livingetc newsletter.

Design enthusiasts are no stranger to the beautiful designs brought to life by these two beloved brands. Swyft's plush sofas with structured silhouettes paired with Morris & Co.'s enchanting patterns are a duo to be reckoned with.

And they recently collaborated again, adding three heritage prints from the archives. These rich patterns transform Swyft x Morris & Co. sofas into maximalist anchor pieces that bring a sense of homeliness to hyper-modern interiors lacking warmth.

So, if you're looking for a sofa to cozy up your living room with character, these designs might do just the trick.

Alternative Patterned Sofas to Shop

For Swyft x Morris & Co. fans, the brands are launching four more prints very soon. To shop the next release first, sign up for the Livingetc newsletter to stay up to date on this launch and more design news.

I know a rug is a big decision that can make or break a room, so going bold can be risky. That said, I can't help but naturally gravitate toward saturated shades and bolder prints. A larger part of me favors a solid-sofa/fun-rug pairing over a safer, more neutral route. Feel the same way? Well, a recent scroll through Florida design duo MONIOMI Design's maximalist Miami home provided me with bountiful inspiration, and I can't get the bright green rug from its living room out of my mind.

To cut to the chase, it's from Nordic Knots. And there are a few reasons why it leaves quite an impression. Firstly, it taps into the latest rug trends, which are getting much more characterful. Borders, artisanal prints, and bold hues are becoming the signs of a thoughtfully curated space. But not only that: the punchy green of this bordered rug is also having a moment in design right now. No wonder this rug is ticking all my boxes.

So, if you are looking for a refresh underfoot, now is the time to take a risk. Though this piece was styled in a more maximalist space, a pop of color can work in a range of schemes. It's more about adding that textile that elevates the room, rounds out the color scheme, and, of course, feels fabulously soft.

If I'm being honest, the color of this rug immediately sold me. Green color trends are going bold this year. We are trading dull olives for a more vibrant variation — that subtle, zingy yellow undertone brings instant warmth. And it still feels grounded, because no matter what shade of green you decorate with, it will always be the most prominent nature-inspired color.

For instance, even in this maximalist, tropical-designed living room, the bold rug sits harmoniously. The teal and green in the rug are reflected elsewhere in the room, and everything feels balanced — nothing is shouting too loudly for attention. And that's a wonderful example of how even bold rugs can be a natural addition to a space. Plus, the wreath motif is said to be inspired by the history of garden design — yet another nod to grounded, yet fashionable design.

So, have I passed on my love for this rug yet? I know a rug can be a big-ticket item, so to make sure you're investing in the right one for your space, I've sourced several similar styles in a range of prices and patterns. Whether it's the color scheme or the whimsical border you like, below are some stylish alternative options.

I have to say, border rugs have really grown on me this year — they are such an easy way to add a little color and pattern without getting stuck with something that may overwhelm your room. And so far, the Color of the Year announcements seem to be predicting blue and green as some of the most favored interior colors going into 2027.

For more inspiration like this, be sure to subscribe to the Livingetc newsletter.

Would you believe that Christmas preparation has already begun this year? Halloween hasn't passed yet, but advent calendars are already on the shelves. And if it's anything like last year, then they'll be sold out long before winter begins.

So, I am going to keep track of the launches worth your time this season so you can treat your home to a beautifully curated home fragrance advent calendar while they're still up for grabs. And although they're meant to make your home smell like Christmas, I appreciate the more evergreen fragrances looped into these bundles that will set your home up for the rest of the new year.

Without further ado, here are the sets everyone's talking about, and which one suits your vibe best. Plus, if you're not keen on an entire calendar, we've included some honorable mentions for a little treat nonetheless.

Bookmark this page so you don't miss advent calendars that still haven't hit shelves yet this year. And sign up for the Livingetc newsletter to keep up with the best launches in the lead-up to this festive season.

Usually, my job entails looking at hundreds of pictures of beautiful homes and interviewing designers about them, but never setting foot inside. And while that still offers me inside access to what makes a home really work, it's not the same as being in a space and really getting to grips with what it's like to live in.

However, this past week, we held Livingetc Unlocked, our new event where we offer our readers access to some of London's best-designed homes. Experiencing a home from the inside is something special — and there are so many details that can get lost in a photoshoot that you can really engage with in real life.

So, across the four homes we unlocked the doors to for, well, Unlocked (you can find them in their full glory here, and sign up to the newsletter to hear about next year's event), what were the details you might have missed if you weren't paying attention? These were our favorite ideas to steal.

To discover more about our Livingetc Unlocked event, visit our hub, or register your interest for next year's event online now.

"We’re in the business of inspiration, and inspiration is good for business," were the words of Claire German, CEO of the Design Centre, on the first day of FOCUS 26. And if we take her at her word, business must be booming.

While the annual London Design Festival has spread across the city, with showrooms everywhere opening doors to the public to explore the new beauty and wonder they're planning for the year ahead, at the Design Centre in Chelsea Harbour, FOCUS 26 is in full swing. And with over 700 brands and 140 showrooms all in one place, you'll be hard-pressed to find a better place for design inspiration.

Walking around the sprawling Chelsea Harbour complex, there was a new idea in every corner, something beautiful to get distracted by at each turn. While there’s never a shortage of gorgeous designs to ogle over here, it must be said that for the first day of London Design Festival’s FOCUS event, the quantity went from plentiful to borderline overwhelming. Luckily, I could dedicate a whole day to getting lost in the maze of design, and I can tell you all the best things I saw.

1. Tom Dixon's Sculptural Headboard at Vispring

My first stop of the day was Vispring, a heritage bed brand currently celebrating its 125th anniversary. There, I got a glimpse of its exciting new collaboration with British design icon Tom Dixon.

After first previewing the collection at Milan Design Week, Vispring has now placed one of the five beds on full display in its Design Centre showroom, especially for LDF. The Rainbow is, in true Tom Dixon fashion, a sculptural masterpiece; an arching, swooped design that would be sure to be the centerpiece of any bedroom.

While it will soon be available in a wide range of colors and finishes, the rusty-colored silk brought some beautiful warmth to the showroom.

2. Whimsical Practicality at Armac Martin

From there, I headed on to hardware specialist Armac Martin, where there was seemingly endless newness to get excited and inspired by. Take the soft, fluid forms of the Sketch collection, created in collaboration with industrial designer Jake Soloman, with its lovely, minimalist effect and bronzed finish.

A crowd-favorite was the adorable kitschiness of the Whimsical collection, complete with ballet slipper handles and tutu cabinet pulls, perfect for chic kids' rooms. There were also plenty of options for grown-up spaces, too, with the same touch of whimsical wonder. A particular favorite was the citrus-inspired designs, with speckled peel handles and lemon slice pulls, as well as a collection of honeycomb-style designs, too.

Perhaps most notable, though, is the brand's upcoming foray into the wider world of home hardware, with a soon-to-launch collection of door handles, sockets, and switches on the horizon.

3. Intricate Embroidery at Zimmer and Rohde

Whimsical themes made an appearance at the Zimmer and Rohde showroom, too, where I was blown away by the delicate craftsmanship of the embroidered Celestia trim, with sparkling moons and stars dancing along the edge of the lush curtains.

The showroom was overflowing with gorgeous materials, handcrafted by specialist artisans from across the globe. Silk fabrics with hand-painted motifs and embroidered designs emblazoned with koi fish were a few personal favorites, though I'm sure I could've spent a few more hours working my way through the collection.

4. Artistic Excellence at Jaipur Rugs

But that was far from the only display of stunning artistry. At Jaipur Rugs, where an upholstered, pink-rimmed motorcycle welcomes you into the showroom, I was mesmerized by the detail and intricacy of their designs.

The Princess Pea collection, which is on display during LDF, is a stunning collection of four rugs, each inspired by a different stage in the menstrual cycle, honouring the female experience in the most beautiful of ways.

5. The New Blueprint for Modern Luxury at Collection Seven and Collection Noir

There weren’t just new collections to explore either; there were whole showrooms opening their doors for the first time, too. One of my favorite stops of the day was at the brand-new Collection Noir and Collection Seven showroom. A collaboration between two female founders, this shared space displays both the designers' products at their best.

In contrast to the brightly lit showrooms lining the design centre, this space feels like a cozy escape, where Jessica Hubner’s softly curving sofas are complemented perfectly by Samantha Santini’s luxurious marble designs, in displays that feel convincingly like home.

I was particularly taken by Samantha's use of Calacatta Monet, a lesser-known relative of Calacatta Viola, with an equally transfixing quality. I expect we'll be seeing far more of this gorgeous green-veined stone in the months to come.

6. A Change of Atmosphere at Studio HÁM's General Store

Studio HÁM's General Store pop-up was another highlight. Setting itself apart from the rows of brands lining the ground floor of the Design Centre, Studio HÁM chose to swap the standard box stand for a wooden-fronted recreation of an American general store, complete with an in-store barista and coffee station.

But it's not just the novelty factor that pulled me in; the studio's new wicker vanity is worthy of highlighting alone, though the delightful setting certainly helped.

7. Lights to Love at Arteriors

There was, of course, no shortage of beautiful things to lust after in the Arteriors showroom, from some of the most stunning outdoor furniture I've seen to gorgeous finishing touches. But the thing that really caught my attention was the beautiful lighting options scattered across the space.

I'd been keeping my eye out for the textured glass light trend, and it was on full display at Arteriors. From delicate wall sconces to dramatic chandeliers, there were countless interpretations of this retro-inspired trend.

And I'm not the only one who is a fan of the brand's lighting; the gorgeous Eclipse Accent Light even made an appearance on Disney's All's Fair series.

This week is the best time to spot the next biggest interior design trends before they are everywhere, and judging by what I saw at Focus, it's going to be a good year.

The US Open may have just drawn to a close, but that doesn't mean tennis season is over. In fact, the just-launched collaboration between tennis icon Venus Williams and Crate & Barrel means you can embrace that sporty spirit year-round. And that you absolutely should.

I'll be honest, a ball sport becoming the next hottest interior design trend wasn't on my bingo card for 2026, but having browsed this collection, I'm glad it is. It makes sense too; for years we've been embracing the sporty fashion look, so it's about time our interiors got the same treatment. And there's no one better for the job than Venus Williams. Although best known for her on-court performances, her interior design game is just as strong. She established her own studio, V Starr Interiors, back in 2002 and has spent the past two decades developing her own distinctive style. This 200-piece collection could just be considered her latest grand slam.

Tennis-inspired, it's certainly not kitsch. "Each piece was intentionally designed to feel artful, timeless, and design-driven, while still working cohesively together," she shares. "We had fun including a few nods to tennis, inspired by the geometry and elements of the sport, while keeping the overall aesthetic that feels elevated, effortless, and enduring." It never feels gratuitous or to the detriment of the design; with touches of Milanese elegance and mid-century modern influences, sport has never looked more luxe. Here's what to shop.

If this collection is anything to go by, I'm predicting that this sporty-chic style will become one of the most popular types of minimalism, and I can't wait to see it take over.

Stay on top of all the coolest new releases and chicest trends by subscribing to our newsletter, where we cover all the unmissable moments in design.

Dear Ellen,

Inspired by your brief, I’ve curated a personalised edit of some bedding and cushion finds to help create that cosy, wintery bedroom feel you’re after.

I’ve kept the palette very neutral and soft, with a little pop of pink to make the scheme feel more romantic. I think a really nice way to build the look would be to use beige or chocolate-brown bedding as your base, then layer in a throw or a couple of cushions in blue, green or pink to add some colour and personality.

As you haven’t provided me with your bed dimensions, I’ve included some pieces that are available in both double and king sizes, so you can choose what works best for your bed.

If you'd like a little more support pulling everything together, take a look at Style, our room design service at Design Lab By Livingetc. We'd have a 45-minute one-to-one call to discuss your space, and afterwards I'd put together a full moodboard for your space, along with tailored product recommendations and a clear design direction.

I hope you enjoy exploring your curated edit, and I'd love to hear which pieces you feel most drawn to.

Best wishes,

Iokasti

More Bedding Finds

Hi Amanda,

I’ve pulled together a few different directions for both the rug and pendant, keeping your large dining table and the wider open-plan space in mind.

For the rug, scale was the first thing I looked at. With a 289 x 110cm table, I’d ideally want something around 300 x 400cm so the chairs can still sit comfortably on the rug when they’re pulled out. I’ve included a mix of wool, jute and flatweave options, with pattern and texture doing some of the practical work too. In a busy family dining space, I’d much rather choose something with movement and tonal variation than a completely flat pale rug, as it’ll be far more forgiving day to day. Where a rug is slightly smaller than ideal, I’ve flagged it and would recommend taping out the dimensions first.

For the pendant, I wanted it to feel connected to the Neptune bronze and glass lighting you already have without making everything feel too coordinated. Because the table is so generous, the light needs enough presence to anchor the dining area, but I’ve kept the focus on softer shades and concealed bulbs so you still get that warm, diffused glow you mentioned.

I hope the edit gives you a clearer sense of how the dining area could come together, and I’d love to know which direction you’re most drawn to.

Warmly,
Miaad | Stylist

Rugs

Pendant lights